Editor Chia Hsu

The Directors & Editors Guild of NZ is pleased to (finally) announce DEGNZ member Chia Hsu as the attachment to editor Dan Kircher.

Originally, Chia was to commence her attachment in March of this year when the production of New Zealand feature film Millie Lies Low was halted by the coronavirus pandemic. Millie Lies Low is now in post production in Auckland.

“I am really looking forward to observing how Dan approaches editing up close, to learn how he solves problems, and to have a sneak peek at how he works his magic into a film,โ€ said Chia.

She entered post production in mid-2015 as an assistant editor to documentaries, working with veteran filmmakers and editors on films and series, including Kim Dotcom: Caught in the Web,ย Yellow is Forbidden andย Dark Tourist, among others. Her work includes editing on short film Memory Foam,ย additional editor on Yellow is Forbiddenย andย The Girl on the Bridge.

Her experiences working on these projects and the exposure steered her towards a career path in film and TV editing.

“I am thrilled about the opportunity to be privy to the editing process of a feature drama film,” Chia writes. “How editors communicate and collaborate with directors and producers is an area I wish to gain further insight, and I would also love to know more about the editorโ€™s involvement in the online process and post sound.”

Theย DEGNZ Drama Editor Attachment Scheme was initiated to give emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor. Recipients learn through attendance during editing and later, at director, producer and/or funding body screenings, about the critique and response process so vital to the successful creative collaboration required of the feature film editor. The scheme is made possible thanks to funding from the New Zealand Film Commission.

Millie Lies Low is directed by Michelle Savill, and produced by Desray Armstrong and Angela Littlejohn.

Last updated on 3 December 2020

Our friends at the Australian Screen Directors Authorship Collecting Society (ASDACS) are trying to get in touch with NZ directors onย this list to distribute royalties related to their work. If you have any leads on how one of these directors can be reached, please send an email to admin@deganz.co.nz and we will pass the information on to ASDACS.

Joining ASDACS helps them reach and distribute royalties to you! If you’re a Full DEGNZ member, ASDACS is free to join and won’t charge you aย commission.

Last updated on 16 November 2020

Itโ€™s with great sadness that I heard of the passing of New Zealand International Film Festival Director Bill Gosden.

I knew Bill professionally but not personally, and always watched with great admiration the way he orchestrated NZIFF with aplomb.

It was because of Bill and NZIFF that I developed a love of independent cinema and arthouse film.

Every year I made a point of catching 15 to 30 films at the fest in Auckland. Bill and his team showed us that there was more to film than the heroโ€™s journey and Save the Cat.

I remember in 2017 going to see the 5.5 hour Japanese film Happy Hour by Ryลซsuke Hamaguchi, and being captivated for every minute. Or watching in 2016 the astounding Columbian film Embrace of the Serpent by Ciro Guerra, an artistic feast for the eyes and mind. Or sitting in 2014 with Ruben ร–stlundโ€™s Swedish masterpiece Force Majure and British director Steven Knightโ€™s tour de force Locke. Then there was in 2012 German director Christian Petzoidโ€™s simply beautiful Barbara and Denis Villeneuveโ€™s powerful, moving Incendies in 2011. I could go onโ€”Lebanon, Page One: Inside The New York Times, I Love You Phillip Morris, Four Lions, Frank, The Hunt, etc., etc.

Equally, I suffered through a few of my own personal dislikes, such as Chinese director Jia Zhangkeโ€™s Ash is the Purest White, Portuguese critical hit Tabu by Miguel Gomes, or American director Frederick Wisemanโ€™s interminable Ex Libris.

All these films just an example of the masterful programming of NZIFF that Bill led.

Then of course is the incredible support he gave to New Zealand filmmakers, both feature length and short, from Gaylene Preston to Florian Harbicht, Yamin Tun to Hamish Bennett, Daniel Borgman to Aidee Walker, Tim van Dammen, Becs Arahanga and Jack Niccol to name a few.

DEGNZ has had for a number of years an official connection with Bill and NZIFF through our hosting of visiting directors and introducing their films, to more recently running director masterclasses with them, like those with Debra Granik and Thom Zimny.

Bill Gosden made every wintery August a month to look forward to, and he enriched the cinematic life of New Zealand with his choices. I for one will be eternally grateful.

Bill Gosdenโ€™s memorial service will be held at the Public Trust Hall, 131โ€“135 Lambton Quay, Wellington, on Monday 16 November, at 2:00pm.

Also an official memorial page is also being created for Bill,ย and you areย invitedย to email your messages toย tribute@rememberingbillgosden.nz.

 

Tui Ruwhiu
Executive Director

 

 

 

Last updated on 12 November 2020

Flamingo and The Old Man On the Island

Flamingo

The first film for the month, Flamingo, a New Zealand comedy-drama, that asks the questionโ€ฆ what would you do if you were stuck on a rooftop with a stranger for a weekend?

Weโ€™re excited to be joined by director Richard Riddiford following the screening for a 30min Q&A session!

When: Thursday 12 November at 6pm
Where: Rialto Cinemas Newmarket, 167-169 Broadway, Newmarket, Auckland.

Book now


The Man On The Island

The following fortnight, join us for a screening of The Man On the Island, with director Simon Mark Brown, for an off the grid story that follows the 77 year old, artistic and philosophical Colin McLaren as he reflects on his decision to isolate for 40 years within a small community on Rakino Island.

When: Thursday 26 November at 6:10pm
Where: Rialto Cinemas Newmarket, 167-169 Broadway, Newmarket, Auckland

Book now

 

Last updated on 6 November 2020

Members come celebrate with the screen guilds and associations at our annual Christmas get-togethers!

RSVP essential. Partners welcome.

Auckland – Wed 25 November, 6pm
RSVP now

Wellington – Wed 9 December, 6pm
RSVP now

Christchurch – Mon 14 December, 6pm
RSVP now

 

Last updated on 5 November 2020