On April 12, Hon. Carmel Sepuloni MP hosted a screening of Cousins at Parliamentโ€™s Beehive Theaterette. The feature, edited by Alex Boyd (DEGNZ), has been a kiwi box office hit, and is currently sitting at 1.436 million in Aotearoa.

Co-directors Briar Grace-Smith and Ainsley Gardiner addressed over 100 people at the screening, including MPs, screen industry members, diplomats and media. Our Executive Director Tui Ruwhiu attended the screening with other guild EDs.

In Cousins, orphaned Mata believes she has no whฤnau and lives out her lonely childhood in fear and bewilderment. Back home on the land, educated Makareta flees an arranged marriage to study law and begin the search for her missing cousin.

Last updated on 20 April 2021

Best of luck to Chaz Harris (DEGNZ), who was recently announced as a finalist in the ScreenCraft 2021 Family Screenplay competition for his family/fantasy screenplay The Glassmaker. Chaz was also a Quarterfinalist in the 2021 BlueCat Screenplay Competition for his sci-fi/thriller screenplay Endurance.

Following the creation of his award-winning web series End of Term, and producing independent feature film Encounters, Chaz recently signed with LA-based Manager John E. Ferraro of Valleywood Entertainment in March.

Last updated on 20 April 2021

Following her last award-winning sci-fi/fantasy film R.E.M, DEGNZ member April Phillipsโ€™ compelling short film The Last Man on Earth, recently won the Outstanding Achievement Humanitarian Award, from The Best Shorts Competition, California. In an unexpected twist of โ€œlife imitating artโ€, the film which was completed in 2019 is set in the aftermath of a global pandemic where a handful of survivors learn what makes a human being worthy of survival. Congrats April!

Last updated on 20 April 2021

We’re excited to be hosting a screening of James and Isey, in association withย Rialto Cinemas, before its nation wide release on May 6. The documentary is a Northland celebration of life & aroha like no other, inviting audiences into the lives of ninety-nine year old Isey and son James, during the week leading up to Isey’s 100th birthday.

Following the screening, audiences will be joined by director/producer Florian Habicht (Kaikohe Demolition, Land of the Long White Cloud, Love Story), for a Q&A session moderated by Zรถe McIntosh.

We look forward to seeing you there!

When: Thursday 24 April, 5:45pm
Where: Rialto Cinemas Newmarket, 167-169 Broadway, Newmarket, Auckland

Film Industry Member tickets $12

Book now

 

Last updated on 22 April 2021

Last week Broadcasting Minister Kris Faafoi announced the names of a panel to finalise the business case for the merger of TVNZ and Radio NZ. Itโ€™s members are:

  • Chairโ€”former NZ First party deputy leader Tracey Martin.
  • Broadcasting Standards Authority chair Glen Scanlon โ€“ a former head of news at RNZ.
  • Former MediaWorks chief executive Michael Anderson.
  • TV producer, former reporterย  and member of Prime Ministerโ€™s Business Advisory Council Bailey Mackey.
  • Broadcasting and technology consultant William Earl.
  • Dr Trisha Dunleavy, Victoria University of Wellington media academic.
  • Producer Sandra Kailahi, former journalist at TVNZโ€™s Tagata Pasifika, Te Karere and Fair Go.
  • John Quirk, former chair and director of state-owner transmission company Kordia.

This panel has till mid-year to come up with its plan, to go to Cabinet before the end of the year. Its expected to allow for a mixed model of funding, with monies to flow to the merged entity from both Government and advertising.

Free-to-air broadcasting has seen a considerable decline in advertising revenue to the point where two years ago revenue versus expenditure at TVNZ was even. Consequently, TVNZ announced that there were not going to be paying a dividend to the Government. The decline had come primarily at the hand of online advertising, with Google, Facebook and other digital advertising channels benefitting at the expense of free-to-air.

Over the last couple of years, however, TVNZโ€™s revenue situation has improved, thanks to an improved share of TV market revenue , growth in digital advertising and a move to more locally produced content and a streamer-forced move away from acquired international content.

TVNZ had astutely recognised the value of a digital video platform and ploughed significant investment and resources into its Advertising Video on Demand service TVNZ OnDemand. In 2014 when NZ On Air started its โ€˜Where Are the Audiencesโ€™ research, TV2โ€™s share of the 5+ audience was 27% while OnDemandโ€™s was 7%. In 2020, OnDemandโ€™s share was 21% while TV2โ€™s was 14%.

Radio New Zealand meanwhile has gone from strength to strength. In 2020, a nationwide survey found that RNZ National has become the first New Zealand radio station to record more than 700,000 different listeners each week. CEO Paul Thompson attributed this to the public wanting a trusted source of news. Understandable in the era of fake news. RNZ has also seen growth in its digital channels.

The key concern for many is the merging of the non-advertising public broadcaster Radio NZ with the highly commercial public broadcaster TVNZ. The boards of the organisations reflect the non-commercial and commercial remits of the broadcasting entities.

If the panel wanted to stick to the adage of โ€œIf it ainโ€™t broke, donโ€™t fix itโ€, theyโ€™d leave TVNZ OnDemand and Radio NZ alone, most likely turn TV One into a true public free-to-air broadcaster, and dump TV2. But would the advertising revenue from OnDemand be sufficient?

Even with AVOD revenues in a number of countries expected to quadruple in the next five years, itโ€™s doubtful OnDemand would make a big enough contribution to the bottom line with NZโ€™s small market.

The U.S.โ€™s public broadcaster, National Public Media (NPM) provides a viable revenue-generation option. NPM, which includes National Public Radio (NPR), TV via Public Broadcasting Service (PBS) and their digital platforms runs a very specific kind of sponsorship and advertising model that is a proven revenue generator alongside a highly trusted public broadcaster brand. You can learn more about it here. Together with advertising-free content on TV One turned into Ad-supported content when moved to OnDemand, there probably would be sufficient revenues and maybe even some profit from the rejigged organisation.

Installing a completely new board for the new entity, putting RNZ CEO Paul Thompson in charge and making Kevin Kendrick responsible for the commercial armโ€”just like panel member Bill Earl was in charge of TVNZ Enterprises all those years agoโ€”would play to their strengths as well. Kendrick would undoubtedly find other ways to generate revenue if he were willing to stay in essentially a demoted position.

Iโ€™ll be interested to see if my back-of-the-napkin business plan is close or wildly off the mark in July.

 

Tui Ruwhiu
Executive Director

Last updated on 7 April 2021