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We’ve got Trump in the White House again and billionaires running that country, LA’s still burning, and the war in Ukraine ongoing, while a tenuous ceasefire has been reached in Gaza.

On the domestic front, The Principles of the Treaty of Waitangi Bill is an expensive problem on the select committees’ agenda. It shouldn’t be there.

Christopher Luxon has reshuffled his cabinet to deal with our continuing economic problems, with the biggest loser Melissa Lee, former journalist and producer, resigned to the backbenches… for now.

The NZ broadcasting and wider media industry woes are likely to continue. Next on the block is the NZ Herald, Business Desk and Newstalk ZB. Read here. TVNZ still feels like a walking disaster, while at Warner Bros. Discovery the reality seems far more scripted than factual.

The Government has “put on hold” the Fair Digital News Bargaining Bill, citing developing events in Australia as a helpful determiner for a new way forward. Read here. More likely, they caved to the pressure from Google.

The Screen Production and Development Association (SPADA) is still declining to register for collective bargaining under the Screen Industry Workers Act (SIWA), even after a year of active effort from some guilds including us to encourage them to do so.

At the end of last year, DEGANZ made a submission on the Ministry of Culture and Heritage’s draft strategy Amplify. Read here. Our view is that without additional ongoing investment, the government’s aims aren’t achievable. One of those aims is to raise New Zealand’s position to be in the top 25 countries globally for culture and heritage soft power.

Over in the UK, Keir Starmer’s Labour Government has recognised that soft power is a hugely important driver of UK economic growth and security, which deepens their relationships, builds alliances and enhances their global influence. They have established a Soft Power Council and delivered a £60 million investment package to kick-start things. Read here. A Kiwi in the UK messaged me after I reposted the Variety article on Facebook, saying that many there consider the investment a pittance. But look at what just $50 million in Premium Fund funding did for NZ.

In our screen industry, for crew at least, there does seem to be a flow of international productions coming to our shores up to the middle of the year, and some domestic production, albeit much more modestly funded. But for above-the-line, things will continue to be tough, which is why we so desperately need additional funding.

It’s harder than ever to attract international investment into NZ production, including with international streamers who see us as too small a market to put production funding into. We don’t have enough philanthropists to go around, and private equity returns and tax advantages aren’t attractive enough for investors. Without the government stumping up with some solutions, the multi-million dollar question is: Where is additional funding going to come from? If you’ve got an answer to that dilemma, then this year could be rosier for us all.

There’s some light seeping through at the end of the tunnel, though.

I believe most New Zealanders understand that we have a tough 2025 ahead across all sectors. Inflation though is down, interest rates are coming down, and cost of living increases should slow.

The New Zealand Film Commission after four years of instability, which saw three CEOs and three chairs in that period, is finally righting itself. A significant restructure under current CEO Annie Murray sees a new approach and fresh blood on the smaller team, with new guidelines for development funding due in February. The NZFC Terms of Trade are under review and there will be changes there as well.

DEGANZ has been very vocal for change at NZFC across those four years, engaging with management and the board. I thank the current board and leadership team for the recent opportunities to be heard. They have listened. There’s a feeling of optimism in the screen industry air about the film commish that I haven’t experienced for quite some considerable period of time, even though funding is very tight.

A refreshed board at DEGANZ with an editor president in Ben Powdrell—the first since Peter Roberts stepped down in 2016—will drive us into the year ahead, facing the challenges and maximising the opportunities to come.

Welcome to 2025!

 

Tui Ruwhiu
Executive Director

 

Last updated on 24 January 2025

Comedy-drama series n00b, directed by DEGANZ members Victoria Boult and Josh Frizzell, is heading to the Berlinale Series Market.

The market is a joint initiative of the European Film Market, Berlinale Co-Production Market and Berlinale Talents, dedicated to serial content. Across three days, series with high market potential are presented to industry experts, creatives, buyers, and distributors. It brings together networking opportunities, thematic panels analysing international trends, pitch sessions, and its acute selection of high-quality episodic content for acquisition, pre-sales, and co-production.

This year’s selection includes 17 series from 13 different countries. n00b is the sole selection from Aotearoa.

Congratulations to Victoria, Josh, and the rest of the n00b team for the prestigious selection!

 

Last updated on 23 January 2025

2025 is kicking off strong with feature films The Haka Party Incident and Tinā coming soon to cinemas across the motu.

The Haka Party Incident, a documentary by Katie Wolfe (DEGANZ), hits theatres across Aotearoa in late January with Tinā, edited by fellow member Luke Haigh, screening locally just a month later.

Read more about the films and check out their trailers below.

The Haka Party Incident

Writer, Director, and Producer: Katie Wolfe

On May 1st 1979, a group of young Māori and Pasifika activists, He Taua, confronted a gathering of University of Auckland engineering students as they rehearsed a mock ‘haka’ for their annual capping stunt. The fracas that followed prompted the nation to confront systemic racism and begin to make change for a better and more equal partnership between Pākehā and Māori.

 

Tinā

Editor: Luke Haigh

When grief-stricken Mareta takes a substitute teaching role at an elite prep school, she forms a choir to unite the privileged yet disconnected students. As they prepare for an all-school competition, her passion for life reignites, transforming her students forever in this rousing crowd-pleaser.

The film won the Best Narrative Feature Audience Award at Palm Springs at the beginning of the year.

 

 

Last updated on 23 January 2025

Congratulations to DEGANZ members Mia Maramara, Pulkit Arora, William McKegg, and Matthew Saville on being selected for Script to Screen’s Story Camp Aotearoa 2025!

The residential feature film lab fosters the craft, voice, and vision of the selected screenwriters or creative teams for the development of their screenplays. The programme aims to meet the specific development needs of the selected projects with advice from local and international mentors in a rigorous four-day experience.

It’s great to see DEGANZ members with projects in the works. See more about their projects below and more about this year’s Story Camp cohort here.

In The Blood

Writer: Mia Maramara

Producer: Morgan Leigh Stewart

Soft

Writer/Director: Pulkit Arora
Producer: Shuchi Kothari

The Factory

Producers: William McKegg and Stacey Leilua
Writers: Anapela Polataivao and Vela Manusaute

The Frogman

Writer/Director: Matthew Saville

 

Last updated on 23 January 2025

DEGANZ members have been busy with new films and series premiering over the holidays including a documentary about aging, a reimagining of a beloved children’s literary character, and a drama-filled teen mystery.

Check this list of new works to see if you have any catching up to do on local screen mahi.

Predict My Future

Documentary

Alarmed by her mother and grandmother’s advancing age, a young filmmaker turns to the world-leading Dunedin Longitudinal Study, asking how and why we age, how to do it healthily and more.

Directors: Ankita Singh

Producer & Additional Field Director: Mark McNeill

Director’s Mentor: Robyn Paterson

Editor: Jack Woon

Badjelly

Animated Series

A fresh reimagining of Spike Milligan’s Badjelly the Witch, the classic tale of a lost cow, a mysterious forest and a sinister sorceress. Featuring the voices of Miriam Margolyes, Rhys Darby & Rose Matafeo.

Animatic Assistant Editor: Gwen Lin

Literally Dead

Web Series

Set in modern-day Aotearoa, Literally Dead follows True–the most iconic b*tch you’ve ever met. She’s beautiful, smart, charming, and sharp, but on the cusp of graduating from high school, she died in a tragic accident (note: it wasn’t an accident). The series takes place entirely on the night of True’s graduation party, as her ghost presents her circle of friends and frenemies, uncovering her death was the least f*cked up thing that happened that year at Gilchrist Grammar.

Directors: Victoria Boult & Gwen Lin

Editor: Brendon Chan

 

To see more recent work from DEGANZ members, check out our 2024-2025 holiday watch list.

 

Last updated on 9 April 2025