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Electioneering is in full swing as we head towards November.

It was just eight weeks ago that Reuben Davidson, Labour Spokesperson for Broadcasting, Media and Creative Economy, stood in front of the New Zealand screen industry at the Big Screen Symposium and said he was fully supportive of a streamer levy.

As recently as the Tāmaki Makaurau Screen Industry Network gathering at the beginning of this month, SPADA President Irene Gardiner was assuring everyone in attendance that all the parties in opposition were on side regarding the levy, except for Te Pati Māori, who hadn’t committed to anything.

Then, just over a week ago, Labour Leader Chris Hipkins flatly ruled out introducing a streaming levy if elected in November.

It just goes to show you that political expediency will always win out in an election year.

The fear word here is tax. National pitched the streamer levy as a tax. Just another tax from Labour, they cried. Labour wants it clear that there’s only one tax they are going to bring in if they win, and that’s a capital gains tax.

A levy is not a tax, though, but that didn’t matter to Hipkins, who said: “We’re not adding a levy onto everybody’s Netflix account.”

As if everybody has a Netflix account in New Zealand. I can’t imagine those who can barely afford groceries, rent, petrol and electricity are subscribing to Netflix or any of the other streamers.

Streamer subscriptions are a luxury, not a basic essential. But in an election year, you can’t make complex arguments for or against anything. Elections demand simple messaging. And Hipkins’ simple message was clear.

In the ensuing brouhaha around this, both Finance Minister Nicola Willis and Minister for Arts, Culture and Heritage Paul Goldsmith ruled out a streamer levy, too. So we’re stuffed on this front no matter who wins the election, it would seem.

That comment from Hipkins, though, is even more revealing, because it shows just how embedded Netflix and the other streamers have become here, even in the minds of the politicians we look toward to help protect and promote New Zealand’s domestic screen sector.

So where does the future of the NZ domestic screen industry stand now?

Clearly not in the hands of SPADA, as they seem fresh out of ideas, as Gardiner recently wrote: “If we’re not going with a levy as our form of regulation, then what are we doing, and when are we doing it? Perhaps our politicians think a quota/direct investment would work better for us than a levy. That could be great. But it’s time to do something. And please don’t treat a serious issue for us like a toy you’re playing with…”

Better starts now, Labour’s simple election slogan tells us. From a domestic screen industry perspective, hard to believe that.

 

Tui Ruwhiu
Executive Director

Last updated on 28 August 2026

This year’s Whānau Mārama New Zealand International Film Festival (NZIFF) has been a huge success for DEGANZ members, with more than 20 members represented across the festival programme. 

In the short film space, five films from DEGANZ members won awards after screening in the Ngā Whanaunga Aotearoa: New Zealand’s Best programme.

Umbrella Best Short Film Awards ($5,000)

The Whole Thing 

Director: Calvin Sang

Letterboxd Audience Award

The Whole Thing 

Director: Calvin Sang

Auckland Live Spirit Of The Civic Awards ($4,000)

Arrival 

Director: Ahmed Osman 

Park Road Post Award For Maori Pasifika Talent ($2,000)

Todd Karehana, Writer and Director Of Socks 

Best Artistic Contribution

Allan George, Editor of Tall Hours by Sophie Black

 

Last updated on 28 August 2026

Congratulations to DEGANZ members Prisca Bouchet, Nick Mayow, and Victoria Boult for their recent wins at the Melbourne International Film Festival (MIFF)!

Prisca and Nick won the City of Melbourne Grand Prix Award for Best Short Film for Lion Rock, one of three short films from Aotearoa to screen at the festival.

Inspired by a trip through Tāmaki Makaurau Auckland’s spooky Waitākere Ranges, Lion Rock is a unique take on the coming-of-age drama, transforming a routine drive into a mysterious thriller told from the boy’s perspective. The film was produced as part of Jane Campion’s A Wave in the Ocean film school, and premiered at Venice in 2025.

The jury commented on the win, saying,

From its opening frame, Lion Rock draws us completely into a world of striking natural beauty and quietly mounting unease. Within a beautifully contained dramatic structure, Prisca Bouchet and Nick Mayow craft a subtle yet deeply affecting portrait of the shifting balance of power between a son and his mother. The narrative unfolds with remarkable restraint, while the wild coastline of Aotearoa New Zealand becomes an active presence rather than a mere backdrop.

Prisca and Nick both attended the MIFF Accelerator Lab along with a cohort of other Kiwi filmmakers, where they all pitched feature films.

Through the Lab, fellow member Victoria took home the Pitch Competition’s top prize, earning her both bragging rights and a cash prize.

DEGANZ is proud to have supported the attendance of Aotearoa’s filmmakers at MIFF and the Accelerator Lab again this year.

 

Last updated on 27 August 2026

The New Zealand Film Commission (NZFC) has announced its Feature Film Development Funding allocations for May–July 2026, with five members attached to commissioned projects.

This fund supports local filmmakers to develop new feature films through script development, research, packaging and audience strategy with the intention to get their projects production-ready.

We’re thrilled to see so many DEGANZ members among the recipients:

  • Refuge — Max Currie
  • Tandem — Pennie Hunt
  • The Rebirth of Barbara Luggate — Jackie van Beek
  • When the Goats Came — Arthur Gay
  • Where The River Runs — Rouzie Hassanova

Congratulations to all our members involved in these projects! We can’t wait to see where these films go next.

 

Last updated on 27 August 2026

This week’s DEGANZ Watch List features two sports-focused projects and a brand-new dramedy series, showcasing the work of three DEGANZ members across advertising, documentary and television.

Up first is DEGANZ member Liv McClymont‘s latest ad campaign for 2degrees, focusing on keeping girls in sport by challenging the culture around comments made from the sidelines.

Also in the sports world is fellow member Vea Mafile’o‘s highly anticipated feature documentary LOMU. After premiering at NZIFF as the festival’s centrepiece, the film is hitting cinemas across Aotearoa on 3 Sept. Support local filmmaking and support the cinemas by finding a screening near you.

Last but not least is the new dramedy series Settling, directed by Ghazaleh Gol (DEGANZ), and starring Pax Assadi and Hannah Marshall, with narration from The Office‘s Rainn Wilson. Plenty of laughs to be had as estranged best mates reconnect and reinstate a pact they made to marry each other if they’re still single by 35.

Check them out below!

SupportHER Line

Advertising Campaign

Director: Liv McClymont

The 2degrees SupportHER Club is part of our commitment to Fighting for Fair for women and girls in sport at every level. Research shows that sideline support is a key factor in keeping girls playing, so 2degrees has created the SupportHER Line to help fans recognise the line between sideline support that uplifts and behaviour that unintentionally pushes girls out of their game.

 

LOMU

Feature Documentary

Directors: Vea Mafile’o and Gavin Fitzgerald

LOMU is a complex and nuanced portrait of Jonah Lomu, the most adored son of the Pacific, a legendary All Black, who transcended the game with his immense power and unstoppable determination. More than a sports biography, this documentary is a Pasifika story of identity, faith, collective responsibility and vulnerability behind legend. Jonah Lomu emerges not only as a revolutionary athlete, but as a deeply human figure whose legacy reshaped rugby, expanded representation, and changed who the game belongs to forever.

In NZ cinemas 3 September. Find a screening near you via MadMan.

 

Settling

Comedy Series

Director: Ghazaleh Gol

Two disillusioned 30-somethings carry out their teenage pact – a platonic marriage – to satisfy family and societal expectations.

Available to watch on ThreeNow, with new episodes dropping every Thursday.

 

Last updated on 27 August 2026