Tom Eagles Receives International Editor Mentorship with Dany Cooper

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Tom Eagles Receives International Editor Mentorship with Dany Cooper

21st March 2016

The Directors & Editors Guild of NZ (DEGNZ) is pleased to announce Tom Eagles as the recipient of our International Editor Mentorship for 2016 with award-winning Australian editor Dany Cooper.

“I’m excited and very grateful to be selected for the mentorship. Dany’s great range of credits are evidence of a vast store of knowledge which I intend to plunder comprehensively,” said Eagles.

Dany has recently completed editing Holding the Man for Goalpost Pictures. Other recent credits include Deadline Gallipoli, Redfern Now, Puberty Blues, Paranoia and The Sapphires. Her international work includes TV miniseries Battlestar Galactica, for which she was nominated for an Emmy Award, Warner Bros feature Queen of the Damned and In Too Deep for Miramax/Dimension. She is currently editing Measure of a Man (working title) for Jim Loach, starring Donald Sutherland, Blake Cooper, Luke Wilson and Judy Greer. Dany has also mentored at the Australian Film Television and Radio School and held the position of President of the Australian Screen Editors Guild from 2014 to mid 2015.

“My aim as a mentor is to help the mentee develop professionally, provide advice and share experience and wisdom. Tom’s already well developed skill set, drive and sense of humour encouraged me to feel he would be receptive and would greatly benefit from this guidance,” Dany said.

Tom has a range of productions as an editor to his credit, including Go Girls, Spartacus: Gods of the Arena and more recently, What We Do in the Shadows, Ash Vs Evil Dead and Hunt for the Wilderpeople.

“Tom’s mentorship with Dany builds on the success we had with editor Cushla Dillon and her mentor, Justine Wright,” said Executive Director of DEGNZ Tui Ruwhiu. “We are confident that Tom will further develop in his already successful career with the experienced international insight that Dany brings.”

The mentorship is an industry professional development initiative funded by the New Zealand Film Commission and managed by DEGNZ. The overall intention of the International Editor Mentorship is to inspire a promising New Zealand editor and demystify the international film industry. The experience offers genuine insight into creative process and engagement with the industry as a whole, while providing a solid platform upon which to build an international career.

For further information, please contact:

Tui Ruwhiu

Executive Director

Directors & Editors Guild of NZ

tui@deganz.co.nz                  021-659-950

Tom Eagles

Tom Eagles is an editor with a strong body of work that has screened at festivals worldwide, including Sundance, Berlin & SXSW.

Tom has just finished cutting Hunt for the Wilderpeople, his third feature and second with director Taika Waititi after What We Do in the Shadows, co-directed by Jemaine Clement. He has also edited a number of commercials and award-winning PSAs for Waititi.

Tom’s TV credits include four seasons of Spartacus and now a second season of Sam Raimi’s horror-comedy-cult-classic-reboot Ash vs Evil Dead.

His editing experience spans short films, documentaries, music videos and web series.

Dany Cooper ASE

Dany Cooper has an extensive list of credits and awards for both local, (Australian) and international projects.

She most recently completed editing Holding the Man (dir. Neil Armfield) for Goalpost Pictures for which she won her fourth ASE award and was nominated for an AACTA and the Australia/UK co-production Chasing Satellites (dir. Jim Loach). Other recent credits include Deadline Gallipoli (dir. Michael Rymer), also AACTA nominated for editing, Redfern Now, Puberty Blues, and Paranoia (dir. Robert Luketic).

Dany edited the hit film The Sapphires for Goalpost Pictures (dir. Wayne Blair), which screened at Cannes 2012 and opened MIFF as well as screening at Telluride and Toronto. She received an ASE Award Nomination and won the AACTA Award for Best Editing.

Her international work includes TV miniseries Battlestar Galactica, for which she was nominated for an Emmy Award; Warner Bros feature Queen of the Damned and In Too Deep for Miramax/Dimension.

She was nominated for an AFI Award for The Well (dir. Samantha Lang) starring Miranda Otto and Pamela Rabe, Candy (dir. Neil Armfield) starring Heath Ledger and Abbie Cornish, Beneath Hill 60 (dir. Jeremy Sims) starring Brendan Cowell,(winner Film Critics Circle of Australia Award and ASE Award) and Angel Baby (dir. Michael Rymer), for which Dany won the AFI Award. She was also nominated for an AACTA Award for Oranges and Sunshine (dir. Jim Loach) starring Emily Watson for which she also received an IF nomination and won an ASE Award.  Other Australian credits include December Boys (dir. Rod Hardy, starring Daniel Radcliffe), Hey Hey It’s Esther Blueburger (dir. Cathy Randall, starring Toni Collette), Australia (additional editor – dir. Baz Luhrmann, starring Nicole Kidman and Hugh Jackman).

She is currently editing Measure of a Man (working title), for Jim Loach, starring Donald Sutherland, Blake Cooper, Luke Wilson and Judy Greer.

Dany has mentored at the Australian Film Television and Radio School as well as holding the position of President of the Australian Screen Editors Guild from 2014 to mid 2015.

Directors & Editors Guild of NZ

The Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry. This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual programmes; short films; video art; animation; commercials and web content.

DEGNZ’s two primary roles are advocacy and professional development. We:

  • are dedicated to promoting excellence in the arts of directing and editing.
  • foster collegiality and unity within the screen industry.
  • promote members’ creative and economic rights.
  • work to improve industry working conditions and remuneration.
  • offer professional advice and information on contracts and industry standards and practice.
  • offer professional development events, networking opportunities, career advice, dispute resolution, mentoring, workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to seasoned professionals.
  • are a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our membership of the pan‐industry group SINZ (Screen Industry New Zealand), and by making submissions to government and public officials.
  • internationally work co-operatively with other guilds and we belong to the International Affiliation of English‐Speaking Directors’ Organisations (IEASDO).

DEGNZ is Auckland-based with an office in Grey Lynn.

Contact Details:

Directors & Editors Guild of NZ

Level 2, 66 Surrey Crescent

Grey Lynn

P.O. Box 47-294, Ponsonby

Auckland

+64-9-360-2102

admin@deganz.co.nz

www.deganz.co.nz

www.facebook.com/degnz

www.linkedin.com/in/degnz

@degnz_online

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Bryn Evans Lands Mentorship with Canadian Doco Maker Jennifer Baichwal

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FBryn EvansOR IMMEDIATE RELEASE

29 January 2016

The Directors & Editors Guild of NZ is thrilled to announce Bryn Evans as the recipient of our International Director’s Mentorship with award winning Canadian filmmaker Jennifer Baichwal.

“I feel both excited and inspired by the prospect of being mentored by Jennifer and anticipate that it will have an immense impact on my development as a filmmaker and the project we will be developing together,” said Evans.

“Bryn has a deep understanding of documentary possibility, and a clear expertise with form, as evidenced in his earlier work,” said Baichwal. “I commend Jennifer Baichwal imagehis desire to push the boundaries, and am looking forward to being part of that creative journey.”

For more than 20 years, Jennifer Baichwal has been making award-winning and critically acclaimed documentaries with Nick de Pencier through the pair’s Toronto-based company, Mercury Films Inc.

Baichwal’s strong documentary background and international success make her an ideal mentor for Evans, whose latest documentary feature Hip Hop-eration has screened in official selection around the world, from its world premiere at the International Documentary Film Festival of Amsterdam to the DocAviv Documentary International Film Festival. It has also won a slew of awards including Best Documentary at the 2014 Rialto Channel NZ Film Awards and the Audience Award at the Santa Barbara International Film Festival.

“Jennifer’s approach to documentary is different than Bryn’s prior work, which should prove challenging and highy interesting for Bryn as a filmmaker,” said Executive Director of DEGNZ Tui Ruwhiu. “Her long experience in theatrical documentary will also give him great insights for the future.”

Currently, Baichwal is working on her latest feature documentary Anthropocene, the third in a trilogy of feature documentaries preceded by Watermark (2014) and Manufactured Landscapes (2006). Anthropocene follows an international group of geologists who want to change the name of our present interglacial epoch ‘Holocene’ to ‘Anthropocene’ in recognition of human impact.

As part of the mentorship, Jennifer will visit New Zealand to work with Bryn on developing his next project, A Season for Persimmons. This documentary delves into the story of Kiwi nurse Kathleen Hall who put herself on the line to smuggle medical supplies to the needy in China.

The mentorship is an industry professional development initiative funded by the New Zealand Film Commission and managed by DEGNZ. The overall intention of the International Director’s Mentorship is to inspire a promising New Zealand director and demystify the international film industry. The experience offers genuine insight into creative process and engagement with the industry as a whole, while providing a solid platform upon which to build an international career.

Ends

For further information, please contact:

Tui Ruwhiu

Executive Director

Directors & Editors Guild of NZ

tui@deganz.co.nz                  021-659-950

Bryn Evans

From searing reportage of some of the world’s conflict zones to personal journeys into one’s culture, Bryn has a passion for exposing the political, social and personal stories of the world that we live in.

After a successful international career as a photojournalist Bryn made his debut documentary with ‘The Great Game – Afghanistan’ (2002) an intimate profile of the Taliban National Cricket Team and their first International tour to Pakistan.

Since returning to New Zealand in 2003 Bryn has also directed and produced numerous current affairs and documentary productions, but in 2008 made his first cinematic feature length documentary; ‘From Street to Sky’ through the support of Maori Television.

An opportunity again came in 2014 to write and direct the hugely successful documentary Hip Hop-eration, which was a local box office success and has gone on to screen at cinemas around the world.

Its world premier was at the prestigious Documentary Film Festival of Amsterdam (IDFA). It won the Audience Awards at it’s US premier in Santa Barbara, the Two Rivers Film Festival in Poland and picked up the Best Feature Documentary Award at the Chagrin Documentary Film Festival in the US. It also screened at the Cannes Film Festival and the Berlinale Film Festival market places.

Bryn’s current development slate is a reflection of his desire to work in feature length documentary – developing concepts with visual scope, entertainment value, non-conventional treatments and profoundly human, universal stories, with strong character-arcs.

Jennifer Baichwal

Jennifer Baichwal was born in Montréal and grew up in Victoria, British Columbia. She studied philosophy and theology at McGill University and received an M.A. in 1994, supported by a McGill Major Fellowship and a 2 year FCAR Master’s Scholarship.

She has been directing and producing documentaries for 15 years. Her first film, Looking You In The Back of the Head, an enquiry into the problem of personal identity, asked thirteen women to try to describe themselves and was first broadcast, to critical acclaim, on TVOntario’s From the Heart. It subsequently sold for broadcast across Canada.

Let it Come Down: The Life of Paul Bowles, her first feature documentary, won a 1999 International Emmy for Best Arts Documentary. It premiered at the Toronto International Film Festival in 1998 and was nominated that year for a Best Feature Documentary Genie Award. It won Best Biography at Hot Docs in 1999 and was picked up for theatrical release by Mongrel Media in Canada, Zeitgeist Films in the U.S., and Uplink in Japan. The film has been sold for broadcast all over the world, and has been selected for a number of international film and television festivals, including Jerusalem, Buenos Aires, FIPA, Banff (where it received a Rockie nomination), Istanbul and Edinburgh.

The Holier It Gets documents a trek Baichwal took with her brother and two sisters to the source of the Ganges river with her father’s ashes. The film won Best Independent Canadian Film and Best Cultural Documentary at Hot Docs 2000, Geminis for Best Editing and Best Writing and was nominated for the Donald Brittain Award and the Chalmers Documentarian Award. It was commissioned by TVOntario and features music by Ravi Shankar and John McLaughlin.

The True Meaning of Pictures is a feature length film on the work of Appalachian photographer Shelby Lee Adams. It was commissioned by TVOntario, Bravo!, SBS Australia and Discovery Germany. The film premiered at the Toronto International Film Festival in 2002 and was invited to the Sundance International Film Festival in January 2003. It won a Gemini award for Best Arts Documentary in 2003 and has played at numerous international festivals. The film was released on dvd by Docurama/New Video in October 2003.

Baichwal, along with Nick de Pencier, was commissioned in 2003-4 to make 40 short films on artists who have been supported over the past four decades by the Ontario Arts Council. These include writer Michael Ondaatje, artist Michael Snow, pianist Eve Egoyan and playwright Judith Thompson, and are in periodic rotation on TVOntario. The collection received a 2006 Gemini nomination for Best Direction in a Performing Arts Program or Series.

Manufactured Landscapes, a feature documentary about the work of artist Edward Burtynsky, was a co-production between Mercury Films, Foundry Films and the National Film Board. It premiered at the Toronto International Film Festival in September 2006 and won Best Canadian Feature Film, and has since received a number of other awards, notably a Genie for Best Documentary, Al Gore’s Reel Current Award and the 2006 Toronto Film Critics’ Award for Best Canadian Feature and Best Documentary 2006. It played theatrically in over 15 territories worldwide, after a prolonged and successful run in Canada.

Act of God, a feature documentary on the metaphysical effects of being struck by lightning and another collaboration between Mercury and Foundry, opened the Hot Docs Film Festival in April 2009 and was released in Canada afterwards by Mongrel Media. It has since played at a number of international festivals, and was released by Zeitgeist Films in the U.S. and Against Gravity in Poland. The film features Paul Auster, Dannion Brinkley and Fred Frith. It was commissioned by The Documentary Channel in Canada, Arte in France and Channel 4 in the U.K.

In 2011 Baichwal completed Payback, a documentary adaptation of Margaret Atwood’s Payback: Debt and the Shadow Side of Wealth, with the National Film Board of Canada and Ravida Din (Executive Producer, Quebec Production Centre). The film premiered in World Documentary Competition at the Sundance Film Festival in January 2012 and was released in Canada (Mongrel Media) in March, 2012 and the U.S. in April, 2012.

Watermark is a feature documentary film about human interaction with water around the world and marks Baichwal and de Pencier’s second collaboration with Edward Burtynsky. The documentary is co-directed by Burtynsky, produced and filmed by de Pencier. It premiered at the Toronto International Film Festival in September 2013, was a box office success in Canada, playing theatres for 4 months. It won the Toronto Film Critic’s Association prize for Best Canadian Film in Jan 2014 and Best Documentary at the the Canadian Screen Awards 2014. It has been released in 10 territories around the world.

Baichwal is currently in research for another feature documentary project, Anthropocene, with Nick de Pencier and Edward Burtynsky, which will mark the third in a trilogy of collaborative films including Watermark and Manufactured Landscapes.

Directors & Editors Guild of NZ

The Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry. This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual programmes; short films; video art; animation; commercials and web content.

DEGNZ’s two primary roles are advocacy and professional development. We:

  • are dedicated to promoting excellence in the arts of directing and editing.
  • foster collegiality and unity within the screen industry.
  • promote members’ creative and economic rights.
  • work to improve industry working conditions and remuneration.
  • offer professional advice and information on contracts and industry standards and practice.
  • offer professional development events, networking opportunities, career advice, dispute resolution, mentoring, workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to seasoned professionals.
  • are a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our membership of the pan‐industry group SINZ (Screen Industry New Zealand), and by making submissions to government and public officials.
  • Internationally work co-operatively with other guilds and we belong to the International Affiliation of English‐Speaking Directors’ Organisations (IEASDO).

DEGNZ is Auckland-based with an office in Grey Lynn.

Contact Details:

Directors & Editors Guild of NZ

Level 2, 66 Surrey Crescent, Grey Lynn

P.O. Box 47-294, Ponsonby

Auckland

+64-9-360-2102

admin@deganz.co.nz
www.deganz.co.nz
www.facebook.com/degnz
www.linkedin.com/in/degnz
@degnz_online

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Call for Applications: International Editing Mentorship with Dany Cooper

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 Dany Cooper Dany Cooper ASE headshot

Directors & Editors Guild of NZ (DEGNZ) invites applications from mid-career editors with significant drama experience to apply for an International Editor’s Mentorship with multiple award-winning Australian editor Dany Cooper.

This is an opportunity for a New Zealand editor with proven talent to benefit from collegial advice and international support as they move to the next stage of their career. You do need to be a full member of DEGNZ to apply.

The mentorship offers 20 – 30 hours of Dany’s time, some by Skype and some in person, between now and the end of the year.

Dany has recently completed editing Holding the Man for Goalpost Pictures, for which she won her fourth ASE award. Other recent credits include Deadline Gallipoli, Redfern Now, Puberty Blues, Paranoia and The Sapphires. Her international work includes TV miniseries Battlestar Galactica, for which she was nominated for an Emmy Award, Warner Bros feature Queen of the Damned and In Too Deep for Miramax/Dimension.

She is currently editing Measure of a Man (working title) for Jim Loach, starring Donald Sutherland, Blake Cooper, Luke Wilson and Judy Greer.

Click here for a full list of Dany’s credits.

Dany has also mentored at the Australian Film Television and Radio School and held the position of President of the Australian Screen Editors Guild from 2014 to mid 2015.

To apply, please provide:

  1. A maximum one-page letter about why you should be chosen and what you hope to gain from the mentorship.
  2. A CV.
  3. Up to 3 examples online of past work (not showreel).
  4. Your DEGNZ membership number.

Only FULL DEGNZ members may apply. If you are not a member and wish to join, you can do so here: www.deganz.co.nz/join/
Applications should be submitted electronically to admin@deganz.co.nz no later than 9am, Tuesday 9 February.

This initiative is brought to you with the support of the New Zealand Film Commission.

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Call for Applications: International Director’s Mentorship with Jennifer Baichwal

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Jennifer Baichwal image

Directors & Editors Guild of NZ (DEGNZ) invites applications from experienced documentary directors with at least one documentary feature with festival success and a documentary project in development to apply for an International Director’s Mentorship with multiple award-winning Canadian documentary filmmaker Jennifer Baichwal.

Jennifer co-founded Toronto-based Mercury Films Inc. with Nick de Pencier. For over 20 years, the pair has been making award-winning, critically acclaimed documentaries that have played all over the world.

Jennifer is currently starting production on her latest feature documentary Anthropocene,the third in a trilogy of feature documentaries preceeded by Watermark (2014) andManufactured Landscapes (2006). Anthropocene follows an international group of geologists who want to change the name of our present interglacial epoch, Holocene, toAnthropocene in recognition of human impact.

The International Director’s Mentorship is designed to assist a director with project development, career planning, creative relationships, new practices in audience engagement, and relationships with producers and agents.

The mentorship will allow for a visit from Jennifer to New Zealand to spend up to two days working with the mentee on their submitted project, and 20 – 30 hours of mentoring time via Skype or phone across a six-month period.

At a later mutually agreed date, the mentee will be encouraged to fly to wherever Jennifer is working to meet and observe.

The overall intention of the mentorship is to inspire a NZ director, demystify the international film industry and offer genuine insight into creative process and engagement with the industry as a whole, while providing a solid platform upon which to build an international career.

To apply, please provide:

  1. A maximum one-page letter about why you should be chosen and what you hope to gain from the mentorship.
  2. A maximum one-page document outlining the documentary concept you wish to apply with.
  3. Up to 3 examples online of past work (not showreel).

A panel including Jennifer will select the successful applicant. An interview may be required.

Only FULL DEGNZ members may apply. If you are not a member and wish to join, you can do so here: www.deganz.co.nz/join/
 
Applications should be submitted electronically to admin@deganz.co.nz no later than9AM, 30 November 2015.

This initiative is brought to you with the support of the New Zealand Film Commission.

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Call for Applications – DEGNZ Drama Director Attachment on DIRTY LAUNDRY

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DEGNZ invites applications for a Drama Director Attachment on Filthy Productions’ comedy drama TV series DIRTY LAUNDRY for TV One.

DIRTY LAUNDRY, produced by Britta Hawkins, will centre on a middle-class family whose mother is jailed for money laundering. If her children want to keep the lifestyle to which they’re accustomed, they’ll need to keep the family business going.

This paid attachment is currently scheduled to take place for eight weeks commencing March 13. It may include a small stand down period to allow for breaks in the schedule, with the aim of the Attachment getting to experience pre-production, production and post production on a major drama production.

The attachment will cover 1 block (3 episodes) and the director will be one of New Zealand’s most experienced drama directors and long-time DEGNZ member Peter Burger.

Payment will be determined by negotiation with the production company and the level of experience of the applicant.

An opportunity exists for the Attachment to direct a scene in the production, but this is entirely at the discretion of Filthy Productions and its producer(s) and director—it is not guaranteed.

The aim of the attachment is to:

  • develop and upskill new television drama directors and
  • contribute to the ongoing production of quality future television drama and
  • provide another training pathway to the limited opportunities currently available.

To be eligible, applicants must:

  1. Be a FULL member of DEGNZ, and
  2. Have a keen interest in television drama, and
  3. Either:-
  • Have 2 short film credits publicly screened to a paying audience at an NZFC accredited short film festival*, OR
  • Have held a position as the first assistant director of a publicly distributed and released feature film or TV drama series OR
  • Have won an award for a short film at an NZFC accredited film festival*, OR
  • Have proven dramatic narrative experience in a screen medium

*The NZFC list of accredited short film festivals here.

To apply, please download the application form cover sheet from the DEGNZ website here, and submit the following in electronic form ONLY (Word file or PDF) by 9am Monday 16 November, 2015 to admin@deganz.co.nz with DIRTY LAUNDRY in the subject line:

• Completed Application Form Cover Sheet with your FULL DEGNZ Membership No., including links to your publicly screened works
• A full CV & Filmography
• A reference (from a senior screen industry practitioner)
• A proposal of a maximum of 1-page outlining why you want to do the attachment.

A shortlist will be developed from applicants. An interview may or may not be required.

We will notify you as to whether or not your application has been successful, but no further correspondence will be entered into regarding your application and the decision will be final.

We look forward to receiving your applications. This initiative has been made possible with the support of NZ On Air and Filthy Productions.

 

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