Group photo from Directors Toolkit with Charlie Haskell

November was a particularly busy month in events for DEGNZ. We ran a 2-day weekend Directors Toolkit in Wellington with director Charlie Haskell, which was greatly enjoyed by the directors in attendance.

The following week, DEGNZ vice-president Louise Leitch taught best practices for directing scenes involving intimacy and nudity in Christchurch on Saturday 23 November. Directors and actors left feeling equipped with valuable skills that they could put into practice right away. That same day in Auckland, members of DEGNZ and WIFT gathered for a Screenlink morning tea at Department of Post. Dan Best shared on what it’s like to work as the First Assistant Editor and VFX Editor for a film the size of Mortal Engines.

It was fantastic to see new and familiar faces at our Young Creators night Serious about Series. Flat3 Productions’ Ally Xue and JJ Fong gave an inspiring and useful session on working in the world of web series.

NZWG hosted the last round of the guild Table Reads in 2019. Writer/director and DEGNZ member Linda Niccol travelled up to Auckland with her producers to have their feature film script read. The team came away with lots of excellent feedback from the actors involved.

Our last workshop on November 30 was Rehearsal & Performance with actor/director Ian Hughes in Auckland. Ian led an engaging session with directors and actors dedicated to learning skills around director-actor communication, especially on fast shoots.

To top everything off, we celebrated the year with our members and other screen bodies at the three Screen Guilds Christmas Parties in November and December. Thanks to everyone who came!

You can find photos of our events on Instagram.

Our office will be closed after Friday 20 December and reopens on Monday 13 January 2020.

Meri Kirihimete me te Hape Nū Ia to you and your loved ones from the team here at DEGNZ. We hope you also have a wonderful break over the summer. See you again in 2020!

At DEGNZ we undertake a considerable amount of professional development to advance the craft of directing and editing. We are not the only screen industry guild or association to do so.

Right now however, there is a confluence of activity occurring in the education sector that will have a significant impact on the screen industry, hopefully for the better.

In August, the Government announced the Reform of Vocational Education. This comes in part, I believe, because of the decline in the apprenticeship system that was brought about by a radical restructuring and liberalisation of the economy and education sector by the fourth Labour Government in the 1980s.

The inability of Polytechnics to financially survive is another reason. Case in point is Unitec in Auckland’s Mt Albert, the country’s largest institute of Technology. Unitec has been in financial difficulty for years, and this has long been known in the screen industry. Whitirea and WelTec are two others in the same boat.

It’s clear though that the workplace is changing. Lower skilled jobs are disappearing because of automation and other factors, while new jobs are coming to the fore. These new jobs need increased training to upskill the workforce for the new roles being created.

What’s all this got to do with us?

Well, as we know the Creative Sector is a funny old beast. Most of us are contractors and there are few large companies. But, we will continue to undergo rapid change due to technology, and more importantly, there is a crew shortage due to the significant level of production activity happening here. Consequently, there is a need to encourage more workers into the industry and to train them to meet the demand.

The Government is looking to the Reform of Vocational Education to bring about seven key changes that they hope will create a unified vocational education system:

  1. Create Workforce Development Councils (WDC) to give industry greater leadership across vocational education.
  2. Establish Regional Skills Leadership Groups to provide advice about the skills needs of their regions.
  3. Establish Te Taumata Aronui to help ensure that the Reform of Vocational Education reflects the Government’s commitment to Māori Crown partnerships.
  4. Create a New Zealand Institute of Skills & Technology, bringing together the existing 16 Institutes of Technology and Polytechnics (ITPs), such as Unitec, Whitirea and WelTec.
  5. Shift the role of supporting workplace learning from Industry Training Organisations (ITOs) to providers.
  6. Establish Centres of Vocational Excellence to grow excellent vocational education provision and share high-quality curriculum and programme design across the system.
  7. Unify the vocational education funding system.

The Tertiary Education Commission is now proposing to establish a industry specific training organisation for the Creative Sector, something the industry hasn’t had before. This WDC would be the voice of industry, participating in a virtuous circle with employers, educational providers and educational bodies to help ensure a focused and effective approach to vocational training.

At the same time, The Screen Industry Guild of Aotearoa NZ (Techos) is seeking to implement tactical initiatives to get more skilled workers on the ground fast. They are working together in the Auckland region with Auckland Tourism, Events and Economic Development (ATEED), who are making a concerted effort to build capability in this area, too. There is a national focus on vocational training for all sectors including the Creative Sector, to ensure the regions benefit as well. The Film Commission, the guilds and numerous other bodies and organisations are looking at supporting this push to shape education for our sector.

It is interesting to observe that the concept of apprenticeships in the Creative Sector is a topic of conversation that has risen to the surface as all of this goes on. At DEGNZ, we have made a real effort this year in the area of assistant editors and we have often discussed an apprenticeship-style model. Our director attachments for TV drama, while definitively not apprenticeships, do deliver the on the job-training that epitomises apprenticeship schemes.

For many in the screen industry, the key to success can often be just getting out there and practising the craft. There’s no doubt though that the formal approach of vocational training will better equip many to find their way into the industry and help ensure sunstainable careers in an ever-changing workplace environment.

 

Tui Ruwhiu
Executive Director

 

 

 

 

Members, it’s that time again! We’d love for you to join us at the combined Guilds’ end of year celebrations.

RSVP essential

Christchurch – Wed 27 November, 6pm
RSVP now

Auckland – Wed 4 December, 6pm
RSVP now

Wellington – Wed 11 December, 6pm
RSVP now

 

Flat3

Make something. Anything. And be prepared to face some hard unpaid work. JJ Fong and Ally Xue will discuss how they found their creative soulmates (Roseanne Liang and Perlina Lau) to form Flat3 Productions, and turned their pipe dream into a reality.

If you’re serious, or even curious, about making web series, you won’t want to miss this honest Young Creators session with the filmmakers behind award-winning series Flat 3, Friday Night Bites and Unboxed!

WHEN:           Tue 26 November 2019, 7pm. Talk starts 7:15pm
WHERE:          Longroom, 114 Ponsonby Rd, Auckland

 

Flat3 Productions was founded by 4 Kiwi women of Chinese heritage. Since their humble beginnings, they have accumulated a wealth of experience in writing, directing, and producing scripted comedy/drama for online consumption. Flat3’s award-winning content has garnered four NZTV award nominations. After 8 years together, the team has decided to make the jump into premium TV format. This next phase has already begun with the company securing NZ On Air production funding for a TVNZ television comedy (Creamerie). Individually, Ally and JJ have expanded their interest into other areas of filmmaking – primarily producing and writing. The pair recently wrapped principal photography on their TVNZ OnDemand teen comedy webseries (MEME).

Registration

DEGNZ members – Free
Non-members – $5 (cash at the door)

Because of liquor license conditions, under 18s must be accompanied by their parent/legal guardian.

We collect diversity data during registration so we can report to our funder, the NZFC. Any data reported will remain anonymous.

 

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DEGNZ Young Creators is a programme of events with a mission to inform and inspire younger or emerging directors and editors to build successful, sustainable careers in the screen industry.

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