It is with deep sadness that we mark the passing of long-time DEGANZ board member Costa Botes, who died on 21 November 2025 after a decade of living with cancer. A renowned documentary filmmaker, a generous mentor, and a dedicated advocate for the screen industry, Costa served on the DEGANZ Board from 2013–2018.

Born on the Turkish island of Imbros in 1958 and raised in Wellington, Costa discovered filmmaking as a teenager, experimenting with a Bolex wind-up camera. After initially enrolling in English Literature at Victoria University, he returned to screen and transferred to the filmmaking course at Ilam School of Fine Arts in Christchurch. Upon graduating, he committed fully to working in the screen industry. By 1985, he had directed The Lamb of God, the opener for the anthology series About Face. Soon after, he created Stalin’s Sickle, which won a jury prize at the Clermont-Ferrand International Short Film Festival in 1988. The short was based on the short story of the same name by novelist and poet Michael Morrisey, whom Costa would later make a documentary about.

Costa’s most iconic work is the cult classic mockumentary Forgotten Silver, co-written and co-directed with Peter Jackson. Its blend of fiction and documentary styles sparked controversy on release, with many viewers believing the story was true. The film went on to win Best Director at the New Zealand Television Awards and the Special Critics’ Award at the Venice Film Festival in 1996. Earlier this year, Costa revisited that landmark project with the publication of Remembering Forgotten Silver: The Film that Fooled a Nation.

In 1999, Costa continued working with Peter Jackson, documenting the making of The Lord of the Rings trilogy. His extensive behind-the-scenes work resulted in three feature-length documentaries and was used in extensive behind-the-scenes content for the trilogy.

Another significant creative partnership was with director Zoe McIntosh, who described Costa as someone who “gives his time generously, quietly, without agenda.” Together they created a body of work that included Lost in Wonderland, Day Trip, King of Caravans, The World in Your Window, and The Deadly Ponies Gang, which all travelled widely on the festival circuit and collected numerous awards.

Across his career, Costa has contributed to the making of over 40 projects as a writer, director, editor, director of photography, and producer. His dedication to storytelling continued throughout his life; he completed the first cut of a new film just weeks before his death.

In addition to his screen career, Costa was deeply involved in Wellington’s music scene, both as a gifted musician and as an enthusiastic supporter of local artists.

Costa will be missed by many, including his wife, Debs Botes.

 

DEGANZ member Matthew Saville was recently selected for and attended the inaugural Square Peg Social, a four-day networking and mentorship event helmed by director Ari Aster and producer Lars Knudsen, the team behind renowned films such as Midsommar, Hereditary, and Beau is Afraid.

The event took place in Austin, Texas, where 35 chosen filmmakers from nearly 1,800 applications came together. Aster and Knudsen invited 27 of their most trusted collaborators to create an almost one-to-one ratio of established industry professionals to attendees.

Rather than focusing on conventional methods of pitching, development sessions, or securing funding, the programme focused on building community and connections. Its ethos was to bring together experienced mentors and impressive filmmakers to be candid about their experiences, both good and bad, to yield its own value for all those there. Square Peg Social intended to open doors, lift barriers, and create space for more seasoned filmmakers to help and nurture a new generation of creatives.

Being co-founded by two of Hollywood’s most innovative filmmakers, the initiative specifically recognised and selected filmmakers who challenged the norms of storytelling, redefined genre, and pushed creative boundaries.

Matthew shared with DEGANZ about his experience, saying,

The curation of filmmakers was wonderful, and the generosity of spirit from Square Peg was really hard to comprehend. I loved it. There was an openness from everyone. At any level were all just hustling and pitching and trying to tell great stories. It’s good to be with your people.

Congratulations, Matthew, for being selected to such an exclusive and exciting initiative!

 

Local feature, Kōkā, edited by DEGANZ member Te Rurehe Paki, won the 2025 Network for the Promotion of Asian-Pacific Cinema (NETPAC) Award at the 45th annual Hawai’i International Film Festival (HIFF) in late October. Writer/Director Kath Akuhata-Brown and Producer Verity Mackintosh were there in person to accept the award at the private ceremony held in Helekulani.

NETPAC is an international not-for-profit organisation dedicated to promoting Asian and Pacific film globally. As part of their work, they sponsor the NETPAC Award at various film festivals worldwide to promote Asian and Pacific cinema by spotlighting exceptional works and discovering new talent.

The jury selected Kōkā for the award, commenting on the film’s “magical and moving intergenerational journey of healing and reconciliation through language, culture and community.”

Under the celestial guidance of Matariki, the film follows Māori elder Hamo and local delinquent Jo, who form an unlikely bond on a road trip. As they confront past traumas and each face their demons, their shared path becomes a journey of healing, community and reconciliation.

Congratulations to Te Rurehe and the entire team!

 

DEGANZ members scooped up a multitude of awards at the 2025 NZ Web Fest Awards on Sunday, 23 November. This year, 15 projects from members were selected, with 12 of them nominated for awards in writing, directing, editing and more.

Congratulations to the award nominees and winners!

NZ Short Fiction Films

Constance

Writer/Director: Jayde Hudson

Planet 13

Writer, Director & Editor: Joe Murdie

 

NZ Factual Series

d8talk

Best Concept

Director: Joe Canham

Home Education

Best Editing

Director, DOP, and Editor: Chris Pryor

K’ Rd Chronicles

Best NZ Factual Series and Best Host (Six)

Editor: Brendon Chan

Sight Unseen

Best Concept

Directors: Julie Zhu & Sheldene Seth

 

NZ Narrative Series

Camp Be Better

Best Directing and Best Editing

Co-director: Chye-Ling Huang

Literally Dead

Best NZ Narrative Series, Best Cinematography (Adum Luxton), and Best Performance (Kirana Asmarani)

Directors: Victoria Boult and Gwen Lin

Editor: Brendon Chan

The Sender

Best Ensemble and Best Score

Director: Liv McClymont

Editor: Ben Chesters

 

DEGANZ board member and award-winning filmmaker, Rebecca Tansley‘s latest feature documentary, Tenor: My Name is Pati, is coming to cinemas in March 2026.

The documentary charts the against-the-odds journey of Pene and Amitai, two of the world’s leading opera singers, from their original family home in Samoa and childhood in South Auckland through to the most revered opera stages in the world. Well-known to Kiwi audiences as part of the beloved trio Sol3 Mio, Pene and Amitai’s story is one of music, family, faith, and determination. Filmed across seven countries, the film takes audiences behind the curtain at some of the world’s greatest opera houses and captures rare, tender moments with the brothers and their family.

Bursting with humour, heart and soaring performances, the film reveals the resilience born of adversity, the richness of family and culture, and the rewards that come from following an unlikely dream.

Check the trailer out below and keep an eye out for screening announcements in the new year!