Congratulations are in order for member Michelle Ang, an alumni of DEGNZ’s Emerging Women Filmmakers Incubator, as NZ On Air has confirmed funding for Riddle Me This, an animated journey of eight four-minute episodes that chronicle tamariki using their powers of critical thinking and imagination to solve intriguing riddles.
Michelle’s A Grain of Rice Productions received $265,950 in funding. The series will be released on NZ On Air and TVNZ’s HEIHEI channel.
Last updated on 19 May 2021
Mystic, a family action adventure series, has been given the greenlight for two more seasons by CBBC (UK) and TVNZ. It will be produced by DEGNZ member David Stubbs in NZ and Jen Burnet in the UK.
A joint production between Libertine Pictures (NZ) and Slim Film + Television (UK), the series follows teenager Issie Brown and her recently developed friendships with teen horse riders, as well as their efforts to save her new home by people that threaten it. Issie also begins to receive confusing visions of the future from ghost horse Mystic.
Created for television and written by Amy Shindler and Beth Chalmers (Pat & Cabbage for ITV, My Family for BBC One, Threesome for Comedy Central and Horrible Histories for CBBC), they will be joined by Kiwi writers Sam Shore (The Sounds, Filthy Rich), Martha Hardy-Ward (Ellen is Leaving), Hamish Bennett (Bellbird) and Briar Grace-Smith (Cousins, Waru).
Production on the new seasons begins on May 31 in New Zealand. There is no release date yet but the first season of Mystic is available on TVNZ OnDemand.
Last updated on 19 May 2021
After debuting at the 2020 NZ International Film Festival Max Currie’s (DEGNZ) latest film, Rūrangi, is now available to rent on NEON and Sky Box Office. The movie follows Caz, an LGBT activist, as he returns home to the dairy community of Rūrangi, which he left before his transition. There he will find a new cause to fight for and an old friend.
Directed by Max Currie and written by queer activist Cole Meyers, Rūrangi is a groundbreaking New Zealand transgender drama, a film that Vogue has named in their top 10 list of New and Upcoming Queer Films to Add to Your Watchlist.
Last updated on 19 May 2021
Established screen industry practitioners from New Zealand and Australia come into the Incubator to provide insight into forging sustainable careers as a director through interactive discussions, practical exercises and in-depth information, at the same time expanding the networks of our directors throughout the film, TV and online sectors.
After considerable discussion, a panel of four external selectors and DEGNZ’s Executive Director settled on seven participants for the 2021 Incubator. They are:
Matasila Freshwater, Ghazaleh Golbakhsh, Niva Kay, Nahyeon Lee, Hweiling Ow, Cian Elyse White and Zoey Zhao.
The DEGNZ Emerging Women Filmmakers Incubator is made possible through the financial support of the New Zealand Film Commission.
MATASILA FRESHWATER (Solomon Islands/Pākehā) is a writer/director passionate about exploring cultural complexities through storytelling. Matasila was responsible for the Solomon Islands section of award-winning feature, Vai (2019), which premiered at Berlinale, featured at SXSW and won a Special Jury Award at Los Angeles Asian Pacific Film Festival and Best Feature Narrative at DisOrient Asian American Film Festival. Her first film Shmeat (2016), was a finalist in NZIFF’s Best Shorts programme, competed at the Sitges International Fantasy Film Festival, and won Best Animation at A Night of Horror Film Festival in Sydney. Recent projects have included writing/directing on The Feijoa Club Season 2, and Prime horror anthology series, Teine Sā: The Ancient ones with her short piece Hiama. Mata is show-running her first animated series ENDLING, currently in preproduction for TVNZ HeiHei.
Mata holds an MA in Scriptwriting from Victoria University IIML with a feature film selected for Script to Screens’ 2020 Film Up programme. In 2019 she was awarded a special grant through the NZFC Annual Gender Scholarship, won SPADA New Filmmaker of the Year, and in April 2020 became one of the inaugural Arts Foundation Springboard recipients, under the mentorship of Tusi Tamasese.
GHAZALEH GOLBAKHSH is an Iranian-New Zealand writer, filmmaker and Fulbright scholar.
Ghazaleh has made various short films including the recent documentary This is Us which centred on Muslim New Zealanders for RNZ and NZ On Air. She is currently developing her first comedy feature with Ainsley Gardiner and Georgina Conder. Other upcoming projects include directing the first ever PASC funded short film Night Visions and co-producing the NZ On Air documentary series Hair Now for the Spinoff. Ghazaleh recently finished her PhD in Media and Communication.
NIVA KAY is a filmmaker passionate about storytelling, environmental and social justice. She is the co-founder of The Rebel Film Collective, which is behind the co-creation of the feature documentary High Tide Don’t Hide. Niva has built a successful career as a digital producer, creating content in various media forms, including writing, photography, videography and graphics.
She is co-author of the number one best selling book ‘The Abundant Garden’. Niva and her partner established Pakaraka Permaculture, a regenerative market garden and education centre on the Coromandel Peninsula.
NAHYEON LEE is a writer and director raised in Aotearoa with Korean heritage. Since graduating with a Master of Arts in drama directing, Nahyeon has been attached to screen and stage productions that champion underrepresented voices; engaging with the breadth of experiences in the Asian diaspora.
She created and directed the anthology short film for TVNZ OnDemand, Myth of the Model Minority, and her MA thesis short film Sixteen was selected for the San Diego Asian Film Festival and the Philadelphia Asian American Film Festival’s 2020 programme. She was one of the the directors for the CNZ funded Portraits; a series of short documentaries centred on Asian creatives in Aotearoa. Current projects include writing her debut play for Proudly Asian Theatre (PAT) called The First Prime-Time Asian Sitcom that has undergone development with PAT and Auckland Theatre Company’s Here and Now Young Writer’s Table. Nahyeon has attended various directing and writing workshops with Script to Screen, DEGNZ and PASC including Story Camp, Before Fade In and Short Cuts.
HWEILING OW, upon arriving to New Zealand, was bitten by a radioactive Weta that made her fall stupendous in love with film-making. She has since developed muti-hyphenated skills in the areas of producing, writing, directing and acting, and has been taking the world by storm with her online digital series and short horror films that have garnet millions of views. She has also successfully received New Zealand funding for numerous local productions. Like a moth drawn to a flame thrower, she is attracted to telling genre stories with a migrant twist. Her quirky cheery view of the world influences the type of projects she is captivated by.
CIAN ELYSE WHITE has had an extensive career in professional theatre, TV and film as an actress. In 2017, Cian wrote her Te Reo Māori short film Daddy’s Girl (Kōtiro) which received the Fresh 30K grant in 2018 and won the 2020 NZIFF Best Shorts audience award. Daddy’s girl (Kōtiro) has also been selected for Show Me Shorts, ImagiNATIVE, Asinabka, Hawaiian International Film Festival and was the first NZ film to be selected for Geena Davis Bentonville Film Festival in August this year.
Cian has a burning desire to tell stories that uplift the Māori voice and explore themes that are topical and relevant to our current social climate. In March 2020, Cian was one of 8 selected to partake in FilmUp run by Script to Screen. Cian has been working on her next short film, PUHI, and has completed a DEGNZ TV Drama Director Attachment on Vegas, shot in her home town of Rotorua.
ZOEY ZHAO is an Auckland-based filmmaker of Chinese descent. She gained a Masters in Screen Production at the University of Auckland in 2020. Fuelled by a never-ending urge to challenge herself, Zoey not only directed but also produced her graduation film, Foods For Coping. This film was selected to screen at the Show Me Short Film Festival around the country and it also screened internationally in the Miami Film Festival, WorldFest-Houston International Film Festival and awarded a Certificate of Merit for Solo Filmmaking by the Rochester International Film Festival.
From her background of working on-set and behind the camera, Zoey is capable of giving the audience a comprehensive and fulfilling experience by focusing on a modern social issue and the relationship upheaval surrounding it. She greatly admires working with female leaders in the field and she has a passion for developing fellow women. Zoey’s imagination and dedication are her greatest strengths. She always aims to give her best – expect nothing less.
‘The forest belongs to the bird who feasts on the miro berry,
the world belongs to the bird who feasts on education’.
If you’d like to know more, come along to a workshop where you can find out what’s involved, hear from and talk with Māori who have made a career in film editing. Have a go with a scene from an award winning Māori drama on the latest editing software and find out just how much influence and responsibility an editor has on a film.
Tikanga Māori will be in place, some tutors are te reo speakers, and te reo is welcomed in the workshop but not required.
Ngā Kaiwhakahaere: Hineani Melbourne (NAW) & Tui Ruwhiu (DEGNZ)
Ngā Kaiako:
TE RUREHE PAKI (Editor Merata: how Mum Decolonised the Screen, Vapnierka, Making Good Men, The Gravediggers of Kapu)
ANNIE COLLINS (Editor Coming Home in the Dark, premiere Sundance 2021)
Support Tutors: Lea McLean & Onehou Strickland
When: Saturday 29 May 2021, 9:30am – 4:30pm with capacity for a chat, or a little extra time for finishing a task until 5:30pm if required.
Where: South Seas Film School Campus – Yoobee Colleges, Unit 6/75 Ellice Road, Wairau Valley, Auckland 0629
If you need help with transport to the North Shore, please let us know when you register.
For Ages: 17 – 30 years old
Price: Free of charge. Includes lunch & refreshments.
Registrations Close: Monday 24 May, 4PM
Spaces limited to 14. We will email you to confirm your place.
This workshop is instigated and run by Ngā Aho Whakaari (Maori in Screen) and the Directors & Editors Guild of New Zealand (Ngā Kaiwherawhera Kiriata)
Supported by the New Zealand Film Commission
Last updated on 20 May 2021