Liliu has officially been selected to screen at the Tribeca Film Festival this year. Edited by DEGNZ member Peter Roberts, Liliu follows a young court interpreter (Vito Vito) who risks everything to help Nua (Ana Tuisila), a wrongfully imprisoned chief.

Filmed in Samoa, the short film was written and directed by Jeremiah Tauamiti (My Father’s Kingdom) who is of Samoan descent. Originally released in 2018, Liliu has won awards such as Best Narrative Short Film at the FIFO Festival held in Tahiti.

The film will screen on June 20.

Last updated on 6 May 2021

DEGNZ member Rachale Davies’ new eight-part docuseries, The Collective, is now available to watch online on RNZ. Created and produced by Rachale, the series follows six young musicians as they embark on a powerful journey of self-discovery.

The eight episodes revolve around the young musicians taking part in a youth music programme designed to give them real-world skills and help them make positive life changes through the power of music.

Speaking to RNZ, Davies stated how amazing the experience was working with the crew to document the “stories of these six talented rangatahi and I think viewers will find their stories compelling”.

Up-and-comer Hunter Crouchley served as the DOP for The Collective, which is also available to watch on TVNZ’s Re: website.

Last updated on 4 May 2021

DEGNZ members Fiona McKenzie and Scott Flyger’s short film Peninsula has been officially selected to have its World Premiere at the Tribeca Film Festival. Directed and written by Fiona, the film follows a father trying to reconnect with his estranged son, leading to unexpected consequences.

Speaking to Scoop, Flyger, the editor and producer of the short film, stated how thrilled he was to see Peninsula, an independently produced and funded film, selected by one of the world’s top tier festivals, a “no mean feat”. The film was shot in Banks Peninsula in 2019.

Peninsula will have its World Premiere on June 16.

Last updated on 6 May 2021

Essie Davis and Thomasin McKenzie in The Justice of Bunny King

Congratulations to DEGNZ member Cushla Dillon, editor on The Justice of Bunny King, after it was announced that the film will have its World Premiere at the esteemed Tribeca Film Festival that runs annually in New York City.

The Justice of Bunny King follows Essie Davis as a mother of two battling against the world, with her niece (Thomasin McKenzie) by her side. Speaking to the New Zealand Film Commission director Gaysorn Thavat stated that she is incredibly proud and excited to have their film’s World Premiere at the Tribeca Film Festival, a film that “celebrates the struggles of ordinary women facing extraordinary struggles”.

It will also compete for the Best Female Filmmaker and the Best New Narrative Director Awards.

The Tribeca Film Festival runs from June 9-20 and will be available online.

Last updated on 3 May 2021

The Screen Industry Workers Bill is back on the menu with the Government now wanting to to move it along. And that’s a good thing.

If there’s one issue that crops up more than any other at DEGNZ it’s individual contracts.

New Zealand moved away from collective bargaining with the changes to employment legislation that eroded a worker’s right to pre-agreed terms and conditions from the 70’s through to the 2000’s. Individual workers are left to negotiate their own remuneration and terms and conditions with the engagers (companies) if they become classed as contractors, which applies to a very high percentage of screen industry workers. This has been particularly bad for directors and editors, unless you are an in-demand person.

There are now generations of workers who have never had union representation, or benefitted from collectively negotiated agreements.

You, the individual director or editor, are required to negotiate your remuneration and the terms and conditions under which you work with the production company or broadcaster that has the resources in most cases to either engage a lawyer or have their own in-house legal counsel. This creates a playing field that’s ripe for exploitation by the unscrupulous. Many of you sign the contracts you are given with little or no negotiating power, and it’s these contracts we often see when people become unhappy with how they are treated.

The Screen Industry Worker Bill is one approach, agreed to by all unions and associations in the screen industry, to provide minimum protection to screen workers. It should prevent outright exploitation and offer the opportunity to get fair terms and conditions in a collective manner. There will still be the opportunity to negotiate individually as there is now. There will be a floor below which no engager can go, but no ceiling except that beyond which the individual engager will not go. In other words, you can push up, but they can’t push down below the minimums.

At DEGNZ we have worked hard with all the other screen guilds and associations to get the Screen Industry Worker Bill in place. The three unions in the screen industry—us, the Writers Guild and Equity NZ, the actors guild—are working with the Council of Trade Unions to try and get the best legislation for screen workers we can. But the battle is still not won.

New legislation is tricky to get through Government. It gets changed, watered down, and other things get in the way, like the Fair Pay Agreements that Government and other non-screen industry unions are hot on at the moment.

While we continue to work on getting the Screen Industry Workers Bill passed, I’d like to ask each and every one of you to familiarise yourself with the Bill, because it’s for you. You can read the current draft here, which we are seeking improvements to. You can learn about the legislative process here. And most importantly, you can talk to others about it, because once it is in place and we negotiate a collective agreement, each one of you will have an opportunity to vote on whether you want the minimums we bring to you. And if you don’t, your vote can tell us to go back and try again as long as you are a member with rights to vote.

That’s democracy in action in a union.

 

Tui Ruwhiu
Executive Director

Last updated on 22 April 2021