It’s been hard to keep up with all the new work from DEGANZ members coming out! For factual series lovers, here are series by members to check out across various platforms.

From looking into the past, to analysing the present, to thinking about how we can learn and progress for the future, these shows tackle social issues pertinent to Aotearoa.

Farewell Guangdong

Factual Series

Director: Lynda Chanwai-Earle

In 1937, Japan invades China. The Japanese sweep south to Guangdong, capturing the strategic port of Guangzhou. Many women and children try to escape war-torn China. Their husbands in New Zealand beg the government to grant them sanctuary here. These are some of the harrowing stories of our grandmothers and mothers, the pioneers of our community.

Based on Lily Lee’s publication Farewell Guangdong, the show uses dramatic re-enactments, interviews, and historical archive material to bring to life first-hand accounts from the wives and children who fled Guangdong, China during the second Sino-Japanese War from 1937 to 1945.

d8talk

Web Series

Director: Joe Canham

No matter where we come from, how we identify ourselves or what we’re into, the desire to find connection is universal. Over the next six months, a diverse group of young New Zealanders will take part in a dating conversation via a new social media project, d8talk. Simply put d8talk is people talking about dating.

The Niu Dawn – Lessons of the Dawn Raids

Factual Series

Editor: Laura McBeath

Unravelling the lasting echoes of the 1970s Dawn Raids: the extraordinary stories of what happened, why it matters and how young generations are using the lessons of the past as ways to deal with our future.

Queer Aotearoa: We’ve Always Been Here

Factual Series

Director: Harry Wynn

Join Eli Matthewson for a journey through the untold history of New Zealand’s queer community, celebrating the resilience of trailblazers who pushed for an inclusive Aotearoa.

 

To see more recent work from DEGANZ members, check out our 2024-2025 holiday watch list and latest catch-up piece!

 

Last updated on 9 April 2025

The Moon is Upside Down, written and directed by DEGANZ member Loren Taylor, was selected as one of ten international films for the Best Non-U.S. Release at this year’s Online Film Critics Society Awards.

While the awards tend to focus on films with wide releases in America, this category recognises a slate of ten international films as the best releases outside the U.S. in 2024. Others on the list include Acting by Sophie Fiennes, Berlinale Silver Bear winner Dying, and Kiyoshi Kurosawa’s Cloud. Amongst the award winners are Hollywood heavyweights Anora and The Substance.

This is the third international nod for The Moon is Upside Down which won Best First Feature at the A-list festival Tallinn Black Nights and the Special Jury Award at the Santa Fe International Film Festival. 

If you missed the film in theatres last year, you can stream it on Aro Vision.

 

Last updated on 13 February 2025

Local dramedy series n00b, directed by DEGANZ members Victoria Boult and Josh Frizzell, is available to stream on Netflix in Australia.

The show, created by Victoria and producer Rachel Fawcett, is set in 2005 Gore, Aotearoa. It follows the social downfall of Nikau Bennett, a popular teenager whose world is turned upside down when he is outed to the whole school. As Nikau plummets from cool guy to social outcast, the series explores his struggle to navigate the complicated dynamics of high school and find the confidence to embrace his true self.

Congrats to the n00b team on the continued success!

For those based in Aotearoa, you can still catch the series for free on Three Now.

 

Last updated on 13 February 2025

Day One has announced the eight commissioned teams for this year’s round of short films, including two projects featuring DEGANZ members Giselle Ilaoa, Lee Li, and Tyler Redmond.

The competition was tough this year, with 109 applications narrowed down to a short list of 16 before the final projects were selected.

Day One Shorts is a series of short films by rangatahi emerging filmmakers from across the motu. They explore cultural, social and political issues by taking story risks, pushing the envelope, and looking to the future. Supported by NZ On Air, RNZ, and Wakaata Māori, the initiative provides scripted projects with $20k and documentaries with $15k to produce their films. In addition to funding, Day One offers the filmmakers wrap-around talent development support, including workshops, professional script consultancy, and mentorships for the directors and producers.

Congratulations to all the selected teams! Check out the projects from DEGANZ members below.

Aolfa Mai, Alofa Atu

Scripted Drama

Writer/Director: Giselle Ilaoa

A young woman grapples with her repressed sexuality when she reconnects with her childhood friend and must navigate her growing affections.

Fearlessli

Documentary

Writer/Director: Lee Li

Producer: Tyler Redmond

Amidst the uncertainty of her future as a transgender asylum seeker, Lee Li navigates unseen struggles and relentlessly advocates for her community, fighting for a future where others like her can call Aotearoa home.

 

Last updated on 13 February 2025

View from the Top banner

We’ve got Trump in the White House again and billionaires running that country, LA’s still burning, and the war in Ukraine ongoing, while a tenuous ceasefire has been reached in Gaza.

On the domestic front, The Principles of the Treaty of Waitangi Bill is an expensive problem on the select committees’ agenda. It shouldn’t be there.

Christopher Luxon has reshuffled his cabinet to deal with our continuing economic problems, with the biggest loser Melissa Lee, former journalist and producer, resigned to the backbenches… for now.

The NZ broadcasting and wider media industry woes are likely to continue. Next on the block is the NZ Herald, Business Desk and Newstalk ZB. Read here. TVNZ still feels like a walking disaster, while at Warner Bros. Discovery the reality seems far more scripted than factual.

The Government has “put on hold” the Fair Digital News Bargaining Bill, citing developing events in Australia as a helpful determiner for a new way forward. Read here. More likely, they caved to the pressure from Google.

The Screen Production and Development Association (SPADA) is still declining to register for collective bargaining under the Screen Industry Workers Act (SIWA), even after a year of active effort from some guilds including us to encourage them to do so.

At the end of last year, DEGANZ made a submission on the Ministry of Culture and Heritage’s draft strategy Amplify. Read here. Our view is that without additional ongoing investment, the government’s aims aren’t achievable. One of those aims is to raise New Zealand’s position to be in the top 25 countries globally for culture and heritage soft power.

Over in the UK, Keir Starmer’s Labour Government has recognised that soft power is a hugely important driver of UK economic growth and security, which deepens their relationships, builds alliances and enhances their global influence. They have established a Soft Power Council and delivered a £60 million investment package to kick-start things. Read here. A Kiwi in the UK messaged me after I reposted the Variety article on Facebook, saying that many there consider the investment a pittance. But look at what just $50 million in Premium Fund funding did for NZ.

In our screen industry, for crew at least, there does seem to be a flow of international productions coming to our shores up to the middle of the year, and some domestic production, albeit much more modestly funded. But for above-the-line, things will continue to be tough, which is why we so desperately need additional funding.

It’s harder than ever to attract international investment into NZ production, including with international streamers who see us as too small a market to put production funding into. We don’t have enough philanthropists to go around, and private equity returns and tax advantages aren’t attractive enough for investors. Without the government stumping up with some solutions, the multi-million dollar question is: Where is additional funding going to come from? If you’ve got an answer to that dilemma, then this year could be rosier for us all.

There’s some light seeping through at the end of the tunnel, though.

I believe most New Zealanders understand that we have a tough 2025 ahead across all sectors. Inflation though is down, interest rates are coming down, and cost of living increases should slow.

The New Zealand Film Commission after four years of instability, which saw three CEOs and three chairs in that period, is finally righting itself. A significant restructure under current CEO Annie Murray sees a new approach and fresh blood on the smaller team, with new guidelines for development funding due in February. The NZFC Terms of Trade are under review and there will be changes there as well.

DEGANZ has been very vocal for change at NZFC across those four years, engaging with management and the board. I thank the current board and leadership team for the recent opportunities to be heard. They have listened. There’s a feeling of optimism in the screen industry air about the film commish that I haven’t experienced for quite some considerable period of time, even though funding is very tight.

A refreshed board at DEGANZ with an editor president in Ben Powdrell—the first since Peter Roberts stepped down in 2016—will drive us into the year ahead, facing the challenges and maximising the opportunities to come.

Welcome to 2025!

 

Tui Ruwhiu
Executive Director

 

Last updated on 24 January 2025