All Blog Posts

Correcting the Imbalance

Ten years of business-focused government policy is now seeing a correction taking place in the New Zealand labour market. Health and education have been the focus of recent labour matters, but thanks primarily to Radio New Zealand, the independentโ€ฆ

Carving Out a Public Broadcasting Audience

New Zealand On Airโ€™s Where Are the Audiences? 2018 Report makes for interesting reading. If you havenโ€™t already seen it, the key findings for the screen industry are: Weekly audiences for traditional broadcast media are stable, andโ€ฆ

Movinโ€™ and Shakinโ€™

The New Zealand International Film Festival is upon us again. And thereโ€™s an even bigger selection of New Zealand films on offer, both feature-length and short, than Iโ€™ve encountered beforeโ€”18 offerings, four of which are made up of programmesโ€ฆ

Ni Hao Taiwan

The New Zealand Film Commission (NZFC) took an official delegation to China and Taiwan in June of this year, and I was fortunate to be invited along to Taipei for the Taiwan leg as the ED of DEGNZ. There was a strong indigenous focus to theโ€ฆ

Is it Time to be a Union?

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In 2000, the Guild, which is an incorporated society, discussed whether or not to become a craft union when the Labour Government passed the Employment Relations Act making collective bargaining possible. However, because the majority of Guildโ€ฆ

Fair Pay

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On Tuesday the government announced the appointment of former prime minister Jim Bolger to head a 10-person working group that would report back on the design of Fair Pay Agreements. This is welcome news to me as those of you who have readโ€ฆ

Hopes and Dreams

Thanks to the New Zealand Film Commission, I was fortunate to attend the Cannes Film Festival 2018 where hopes and dreams are realized or not, and was reminded of where we Kiwis sit in the global film industry with our 5 โ€“ 15 films each yearโ€”somewhereโ€ฆ

NZFC +

The New Zealand Film Commission has just announced its Te Rautaki Mฤori strategy and thatโ€™s a great achievement, even though it comes 15 years after New Zealand On Airโ€™sโ€”better late than never. Itโ€™s no secret that Mฤori films areโ€ฆ

A Professional Life Well Lived

Itโ€™s with great sadness that I heard of the passing of New Zealand International Film Festival Director Bill Gosden. I knew Bill professionally but not personally, and always watched with great admiration the way he orchestrated NZIFF withโ€ฆ

The Ultimate Disruptor

If you do a search on the Interweb, one of the definitions of a disruptor in business reads: To be a disruptor is to create a product, service, or way of doing things which displaces the existing market leaders and eventually replaces themโ€ฆ

What in the World is Happening with Film

The world of film continues to be shaken up both at home and abroad. The only thing thatโ€™s clear is that streaming is here to stay and picking up steam. Disney is just undertaking an entire reorganisation of its business to put streamingโ€ฆ

Much to Celebrate

We are in the midst of election turmoil both here and in the United States. Pork barrel politics are in full swing here with promises from all sides intended to sway voters. We are fortunate, though, that the Arts has already receivedโ€ฆ

The Interminable Wait

There are a few key unresolved issues in our sector and we are sitting on our hands waiting for action. The transformation of TVNZ into a proper public broadcaster is one. Then thereโ€™s the Screen Industry Worker Bill that will allow contractorsโ€ฆ

Writing on the Wall for TV2?

2020 is a watershed year in time for the screen industry because of COVID and the Level 4 lockdown we endured. New Zealand On Airโ€™s latest โ€˜Where Are The Audiencesโ€™ research was conducted during May and June, when we had come out ofโ€ฆ

ANZSE Career Spotlights

Read about the illustrious careers of ANZSE-accredited editors.

A Kลrero With…

In this guest blog series, we speak to screen professionals to find out more about their job and what most people might not know, including those working in the industry. This blog offers an inside look into different parts of the industry and offers insights into how directors and editors can be successful in the collaborative process of their mahi.

How I Got Started in the Industry

In this guest blog series, our members reflect on how they made their way into assistant editing, editing, and directingโ€”with no two stories the same. They offer advice for those starting out.