All Blog Posts

The Digital Landscape

20 March 2015 On Tuesday evening I was fortunate to attend the 25th anniversary celebration of New Zealand on Air, hosted by Broadcasting Minister Amy Adams at Parliament. The crowd of 300 or so included many producers whose programmesโ€ฆ

SINZ and Other Confessions

5 March 2015 Faced with a blank page and no hot topic Iโ€™m left to update you on some of the recent traffic across my desk. Screen Industry New Zealand (SINZ) got together last week for the first time in over a year. SINZ is an informalโ€ฆ

Where Are The Women?

18 February 2015 Why are there so few female directors making dramatic feature films in New Zealand? Itโ€™s a vexing question with no easy answers. A couple of stats drawn from published NZFC data: Of the 28 dramatic features (discountingโ€ฆ

Waitangi Day Te Reo

5 February 2015 We are already into February and Waitangi Day is almost upon us. For those of you unfamiliar with Te Tiriti o Waitangi (The Treaty of Waitangi) or wanting to brush up on the detail, here's a good primer on the NZ History website. Waitangiโ€ฆ

Welcome to 2015

22 January 2015 Kia ora! And welcome to 2015 with the Directors & Editors Guild of NZ. This year is shaping up to continue the extremely positive last six months of 2014 with a range of productions happening. We have the MTVโ€ฆ

2014 With DEGNZ

19 December 2014 DEGNZ has had another fantastic year. Thanks to all of you for continuing to support us and the NZ film industry. Across 2014 we have rolled out our new brand and website, and seen the implementation of a fantastic new professionalโ€ฆ

Members Address

15 Oct 2014 I have arrived at DEGNZ at a time of significant change for the screen industry. Digitalโ€™s impact on the broadcasting and film landscape is immense. There are new opportunities for content makers online. Exhibitors are comingโ€ฆ

Hello 2018!

Weโ€™re into the year and weโ€™ve got a significant period of change coming. The Governmentโ€™s first hundred days are up in two weeks and it has already made good progress or is about to in terms of tertiary education, housing, child poverty,โ€ฆ

A Heck of a Year

Itโ€™s been a heck of a year with a number of significant changes that affects many of the things we do in the screen sector. The first of major import was NZ On Airโ€™s move to its single media fund model in July of 2017. Already an avenueโ€ฆ

Whatโ€™s Up Doc?

As we approach the end of another hectic year like many Iโ€™m sure, Iโ€™m feeling a little low in energy from the stress and strains of work, the knocks or outright rejection that are a staple of our industry, and the long hours that our passionโ€ฆ

Ructions in the Screen Shire

When Minister for Employment Iain Lees-Galloway told ONE News just over two weeks ago that the government would repeal the Hobbit Law, all hell let loose. The Hobbit Law prevents screen industry workers from unionising by making all filmโ€ฆ

Around the Traps

Last newsletter I postulated about what might and might not occur in regard to the screen industry once the portfolios were assigned. Little did I know it would be referenced in the Hollywood Reporter here. I was wrong about Grant Robertsonโ€ฆ

What Does Jacinda Mean For Us?

Like most everyone else, Iโ€™ve been walking around with a smile on my face since Winston Peters decided which side of the seesaw to get on. Iโ€™m not as rabidly dogmatic as many left of centre seem to be in the screen industry, but I doโ€ฆ

ANZSE Career Spotlights

Read about the illustrious careers of ANZSE-accredited editors.

A Kลrero With…

In this guest blog series, we speak to screen professionals to find out more about their job and what most people might not know, including those working in the industry. This blog offers an inside look into different parts of the industry and offers insights into how directors and editors can be successful in the collaborative process of their mahi.

How I Got Started in the Industry

In this guest blog series, our members reflect on how they made their way into assistant editing, editing, and directingโ€”with no two stories the same. They offer advice for those starting out.