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Tell Us Your Story

Iโ€™ve been in a seminar this week with film and television producers from New Zealand, Australia and Denmark, lawyers and finance people from New Zealand, Australia and Sweden, and a major sales agent from the UK. At this point in time, theโ€ฆ

More Like the Luvvies!

Thanks to DEGNZ member Leanne Pooley for this guest editorial. I recently attended a play in Auckland and while looking at the audience it struck me how many of them were members of the theatrical community. Like dancers and the musical fraternityโ€ฆ

What’s New?

Whassup?Itโ€™s interesting putting pen to paper to write this, close to a year to the day from when I started in my role as Executive Director at the Directors & Editors Guild of NZ.ย  I took over from Fiona Copland who quickly stepped intoโ€ฆ

Trans-Tasman Friendship

I took some time off work a couple of weeks ago to go to a script development lab in Margaret River with a writer I am working with. There were six Australian writer or writer/directors and their producers there with their projects. The Australianโ€ฆ

The Power of Film

This week's piece is written by Samantha Caughey, DEGNZ's Marketing & Events Coordinator, while Tui is overseas.Have you ever watched a film thatโ€™s changed your life? Altered your perception of an issue, or spurred you to do somethingโ€ฆ

What Time Is It?

I was talking to a talented director last night and he related to me his latest experience of that thing we all often go throughโ€”being told, โ€œNo.โ€ Whether you are pitching for a film, propping a TV show, a documentary idea, a web series,โ€ฆ

How To Get Ahead

Professional development is an important part of the guildโ€™s activities. A number of the opportunities have limits on participants, so we are constantly having to screen applications and respond to questions about whatโ€™s required, and โ€œWhyโ€ฆ

Art or Commerceโ€”A Moot Question?

24 July 2015 This week I attended three film-related events that highlighted the polar differences between art and commerce in film. On Wednesday morning I went to the New Zealand Film Commission (NZFC) briefing on the review of the Newโ€ฆ

Correcting the Imbalance

Ten years of business-focused government policy is now seeing a correction taking place in the New Zealand labour market. Health and education have been the focus of recent labour matters, but thanks primarily to Radio New Zealand, the independentโ€ฆ

Carving Out a Public Broadcasting Audience

New Zealand On Airโ€™s Where Are the Audiences? 2018 Report makes for interesting reading. If you havenโ€™t already seen it, the key findings for the screen industry are: Weekly audiences for traditional broadcast media are stable, andโ€ฆ

Movinโ€™ and Shakinโ€™

The New Zealand International Film Festival is upon us again. And thereโ€™s an even bigger selection of New Zealand films on offer, both feature-length and short, than Iโ€™ve encountered beforeโ€”18 offerings, four of which are made up of programmesโ€ฆ

Ni Hao Taiwan

The New Zealand Film Commission (NZFC) took an official delegation to China and Taiwan in June of this year, and I was fortunate to be invited along to Taipei for the Taiwan leg as the ED of DEGNZ. There was a strong indigenous focus to theโ€ฆ

Is it Time to be a Union?

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In 2000, the Guild, which is an incorporated society, discussed whether or not to become a craft union when the Labour Government passed the Employment Relations Act making collective bargaining possible. However, because the majority of Guildโ€ฆ

Fair Pay

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On Tuesday the government announced the appointment of former prime minister Jim Bolger to head a 10-person working group that would report back on the design of Fair Pay Agreements. This is welcome news to me as those of you who have readโ€ฆ

ANZSE Career Spotlights

Read about the illustrious careers of ANZSE-accredited editors.

A Kลrero With…

In this guest blog series, we speak to screen professionals to find out more about their job and what most people might not know, including those working in the industry. This blog offers an inside look into different parts of the industry and offers insights into how directors and editors can be successful in the collaborative process of their mahi.

How I Got Started in the Industry

In this guest blog series, our members reflect on how they made their way into assistant editing, editing, and directingโ€”with no two stories the same. They offer advice for those starting out.