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Where’s The Work?

While everyone angsts about what the New Zealand Film Commission is or isnโ€™t up toโ€”and frankly I still donโ€™t know eitherโ€”I thought Iโ€™d take a look at the work situation for directors and editors with television/platform content. Nowโ€ฆ
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Editor Francis Glenday: How I Got Started in the Industry

My earliest, real childhood memory is being about 3 years old. Iโ€™m sitting in front of an electric heater, one of the old fireplace-mounted ones. It has two bright orange electric resistors. In my left hand, I have a toy; a silver metal cowboyโ€ฆ
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TVNZ Spotlights Our Media Messโ€ฆ Again

๏ปฟ๏ปฟ๏ปฟThe financial woes besetting TVNZ with a projected loss of at least $28 million, again highlight the inaction of the current government to address the issues with broadcasting, brought about by the severe negative impact internationalโ€ฆ
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Director Hweiling Ow: How I Got Started in the Industry

A forty-five-second short horror film, garnering 16 million views online, propelled me into a dream I didnโ€™t know I desired. Life is a game of random chances. You put in the work and hope the universe aligns. For me, the creative professionsโ€ฆ
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New Zealand Film Is Alive And Well

๏ปฟ๏ปฟ๏ปฟI watched Loren Taylorโ€™s directorial debut The Moon Is Upside Down the other night. For me, itโ€™s a well-crafted film with quirky characters, very smart dialogue (both scripted and improvised), and comedy and depth in abundance,โ€ฆ
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A Sigh of Relief for Domestic and International

With the Youth-focused funding announced yesterday by NZ On Air, and the joint announcement of Scripted funding by NZ On Air and Te Mฤngai Pฤho to a combined total of over $15 million dollars, there was an audible sigh of relief heard on theโ€ฆ
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Come Together! Right Now!

The current fight to protect employee jobs going on at TVNZ by union E tลซ highlights the importance of unions in the New Zealand screen industry, and the importance of the Screen Industry Workers Act (SIWA) for screen contractors, who untilโ€ฆ
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Editor Cushla Dillon: How I Got Started in the Industry

When I started back in 1986 (my first official job was as Directorโ€™s assistant on โ€˜Starlight Hotelโ€™) the only โ€˜filmmakingโ€™ courses in NZ were a Masters in Broadcasting at the University of Auckland and a newly established Broadcastingโ€ฆ
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Shake Up

On Wednesday, the Ministry of Culture and Heritage issued the Media Reform Discussion Document. This is the biggest shakeup to affect our sector next to that of the advent of international streamers, which has forever changed the global screenโ€ฆ
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Here We Go

Weโ€™ve got Trump in the White House again and billionaires running that country, LAโ€™s still burning, and the war in Ukraine ongoing, while a tenuous ceasefire has been reached in Gaza. On the domestic front, The Principles of the Treatyโ€ฆ
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That Time of the Year

December is upon us again. Before we hit the beaches or mountains, itโ€™s time to reflect on what has been a tumultuous year for the New Zealand screen industry. On the positive side, weโ€™ve had a great crop of New Zealand films and television,โ€ฆ
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Women and Directing

We have just wrapped the eighth and last Emerging Women Filmmakers Incubator. This also brings to a close the year-long Incubator programme in its current manifestation as we have been unable to secure funding for it. In reflecting on womenโ€ฆ
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Trumpedโ€ฆ Again

Well, itโ€™s done and dusted. We have another Trump presidency. So what does that mean for our screen industry? Unfortunately, it would seem we have a volatile future in store. As Trump has been telling us pretty much from Day 1, he wantsโ€ฆ
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Our Annual Trade Mission to France

๏ปฟ๏ปฟ๏ปฟ๏ปฟIn May of 2024 in France, New Zealand showcased export products, and promoted inbound investment into New Zealand at the largest industry market event of its kind in the world for this particular sector. The trade mission wasโ€ฆ
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ANZSE Career Spotlights

Read about the illustrious careers of ANZSE-accredited editors.

A Kลrero With…

In this guest blog series, we speak to screen professionals to find out more about their job and what most people might not know, including those working in the industry. This blog offers an inside look into different parts of the industry and offers insights into how directors and editors can be successful in the collaborative process of their mahi.

How I Got Started in the Industry

In this guest blog series, our members reflect on how they made their way into assistant editing, editing, and directingโ€”with no two stories the same. They offer advice for those starting out.