We are looking for our next Graduate Intern who wishes to extend their knowledge of the film and television industry and take part in creating a sustainable industry for NZ directors and editors. The right candidate will get to engage with directors and editors across the country with networking opportunities and the chance to contribute to an exciting industry while gaining some great experience for their CV.

The role will involve 5 hours per week, unpaid over a period of four months.

Responsibilities will involve communication with members, membership processing, general admin, and may include drafting website content, research and social media.

Though we expect the intern to have some competency in some of the key skills outlined below, we also offer training in these skills.

To be successful in this role, you will:
•    Need to commit to 5 hours per week for each week of a four-month internship.
•    Have excellent written and face-to-face communication skills.
•    Have a relevant qualification in the Film and TV industry.
•    Have competency in the use of any/all of the following: Microsoft Office including Excel and Word, social media sites such as Facebook and Twitter.
•    Be a collaborator – bring new ideas to the table.
•    Have a dedication to the growth and nurture of the film industry, particularly for Directors and Editors.
•    Have a good sense of discretion, privacy, and humour.

If you are interested in this internship, please send your CV and a brief covering letter to tema@deganz.co.nz.

 

Bringing Writers, Directors & Actors together for Table Reads.

Four reads per year on Saturdays @ NZWG HQ in Grey Lynn.

A core cast – max six actors – together with a writer & director team (OR writer/director) will collaborate on each script-in-development table read.

DEGNZ members and/or NZWG members are invited to apply for the script component to go into the draw for a day-long table read*. The script must have a director attached and have been through a development process.

Writer & Director teams: both must be members of NZWG/DEGNZ

Writer/director: must be a member of NZWG/DEGNZ

 

TABLE READ – ROUND ONE 2017

When: Saturday 11 March, 10am start

Where: NZWG HQ, Grey Lynn

Script Submissions close: Monday 20 February. Email NZWG – guildhq@nzwritersguild.org.nz (Subject line: Final Draft)

*Names remain for subsequent draws.

 

A Joint Initiative brought to you by NZWG, DEGNZ & EQUITY Foundation. With warm thanks to the New Zealand Film Commission.

 

 

RR with Ian Hughes crop

 

The Rehearsal Room with Ian Hughes will kick off our 2017 Professional Development programme!

 

The Rehearsal Room with Ian Hughes – Auckland

When: Saturday 25 February 2017, 9.30am – 1.30pm

Where: Kingsland, Auckland

 

The Rehearsal Room brings together professionals – actors and directors – in a safe, supportive environment to practise working with each other on scenes under the guidance of an experienced moderator.

“Directors need as much practise… spending time with actors as they can get. It’s such an important relationship and so often writer/directors, especially, spend so much time by themselves with a script… and very little importance is placed on being able to direct actors. So MORE of this type of workshop please!” – Past participant

REGISTER on our event page to have your name in the draw to participate. For each event 4 directors and 8 actors will be selected. ONLY Actors Equity actors and DEGNZ directors are permitted entry to The Rehearsal Room.

You need only register once. Your name will remain in the draw for future Rehearsal Rooms unless you ask us to remove it. If you are selected, we’ll email or phone you to confirm your participation.

 

Moderator – Ian Hughes
For this workshop, we are pleased to have highly experienced actor and director Ian Hughes facilitating. Ian is a well-known actor (Topless Women Talk About Their Lives, Shortland Street, Go Girls, Xena, City Life, Lord of the Rings) who has worked with many of New Zealand’s directors and turned his hand to directing (Shortland Street, Step Dave).

 

Who is The Rehearsal Room for?
Professional actors and directors. It is open to Actors Equity and DEGNZ members of all levels of experience, from novices to virtuosos.

 

Material
Directors will be asked to provide a two-character scene (2 pages) or, if you prefer, a scene will be provided for you. Directors and actors will receive scripts in advance.

 

Structure of the event
Directors and actors will spend time rehearsing their scenes, with emphasis on connection and content.

After morning tea, participants will block their scenes, before presenting them for shooting, followed by viewing and discussion. The shooting is a wide shot only, intended as a means to review performance, not for directors to direct camera.

 

The Rehearsal Room is hosted by Directors & Editors Guild of New Zealand and the Equity Foundation, with financial support from New Zealand Film Commission.

The Directors & Editors Guild of NZ, NZ On Air and Filthy Productions are thrilled to announce actor and director Abigail Greenwood as the TV Drama Director Attachment on the Filthy Rich TV series.

“Impressed by the strength of Abigail’s application, we looked at attaching two directors to Dirty Laundry last year” said Steven Zanoski from Filthy Productions.

When other commitments arose, we immediately thought of Filthy Rich, should a second season eventuate, believing Abigail a good fit with the show.”

Abigail attaches to experienced director Michael Duignan, whose past credits include Mighty Morphin Power Rangers, The Blue Rose, Agent Anna, and the first series of Filthy Rich. She has joined the production this month as they get underway in Auckland. Filthy Rich is produced by Steven Zanoski for Filthy Productions Ltd.

“I’m really excited to watch this very successful team do what they do so well, and stoked to be shadowing Michael Duignan, who I admire for his bold and inventive directing style,” said Abigail Greenwood.

It’s such a privilege to be given an internship as a director, so huge thanks to DEGNZ and Filthy Productions for this amazing opportunity.”

“We are delighted to again support an up and coming woman director to develop her skills under the mentorship of an experienced director, in the hope that we can see more women directing content for our screens in future,” said NZ On Air Chief Executive Jane Wrightson.

“Abigail brings her signigicant experience as an actor and her directing success with short films including Eleven, which was selected for the Berlin International Film Festival to the attachment,” said DEGNZ Executive Director Tui Ruwhiu.

“She is one of a number of talented early-career women directors coming to the fore and we are thrilled she has this opportunity to further her directing experience.”

Filthy Rich tells the story of three illegitimate children who discover they each have a claim to the fortune of one of NZ’s wealthiest men, John Truebridge. With so much money on the line, John’s legitimate family will do anything to stop these new, unexpected heirs! This Filthy Productions 14 x 1-hour drama is in its second series on TV One.

The DEGNZ TV Drama Director Attachment Scheme is now in its second year and Abigail has secured the sixth director attachment through this initiative, funded by NZ On Air and the production company involved and managed by DEGNZ. It is intended to give emerging drama directors the opportunity to shadow an experienced director through the pre-production, production and post-production process as a means to improve their craft skills. There is also an opportunity to direct one or more scenes during their attachment, at the discretion of the series producer and episode director.

The scheme has seen four women and two men attach to New Zealand dramas with Matthew Saville on Screentime’s Bombshell: The Sinking of the Rainbow Warrior, Aidee Walker on South Pacific Pictures’ (SPP) Westside, Helena Brooks on their Brokenwood Mysteries, and Cathy MacDonald on SPP’s Shortland Street, while Jamie Lawrence attached to Filthy Production’s Dirty Laundry.

Ends

 

For further information, please contact:

Tui Ruwhiu
Executive Director
Directors & Editors Guild of NZ
tui@deganz.co.nz
021-659-950

 

Abigail Greenwood is an award winning theatre director and filmmaker from Auckland, New Zealand. Over the last ten years she has been working as a director, actor and production and costume design assistant in New Zealand film, theatre, and television.

 

Abigail’s first short film received international acclaim, participating in international festivals including Berlinale 2014 and Melbourne International Film Festival 2014. The film won Best Short Film at the Rialto Channel NZ Film Awards 2014, and Abigail was awarded for Distinctive Creative Achievement as a Director in the New Zealand International Film Festival ‘NZ’s Best’ competition 2014.

Abigail has worked as a co-ordinator and assistant to Kirsty Cameron on The Hopes and Dreams of Gazza Snell, Lovebirds, Sione’s Wedding 2, The Weight of Elephants, Field Punishment No. 1, Slow West, and recently The Rehearsal.

Abigail’s acting credits include Brave Donkey (short film), Piece of My Heart (telefeature), and Outrageous Fortune (TV series).

Theatre directing credits include collaborative works The Height of the Eiffel Tower (New York Fringe Festival 2010, Silo Theatre, Edinburgh Fringe 2014), and Nick (Edinburgh Fringe 2013), as well as And Then You Die by Thomas Sainsbury and Cow by Jo Randerson for Auckland Theatre Company’s Young and Hungry.

 

Filthy Productions Ltd is a production company recently set up by Rachel Lang, Gavin Strawhan and Steven Zanoski. The company’s focus is production based, with a philosophy that the best television drama and comedy is always driven by the creatives. Productions to date are Filthy Rich and Dirty Laundry, both for Television New Zealand.

 

Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry. This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual programmes; short films; video art; animation; commercials and web content.

 

DEGNZ’s two primary roles are advocacy and professional development. We:

  • are dedicated to promoting excellence in the arts of directing and editing.
  • foster collegiality and unity within the screen industry.
  • promote members’ creative and economic rights.
  • work to improve industry working conditions and remuneration.
  • offer professional advice and information on contracts and industry standards and practice.
  • offer professional development events, networking opportunities, career advice, dispute resolution, mentoring, workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to seasoned professionals.
  • are a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our membership of the pan‐industry group SINZ (Screen Industry New Zealand), and by making submissions to government and public officials.
  • Internationally work co-operatively with other guilds and we belong to the International Affiliation of English‐Speaking Directors’ Organisations (IEASDO).

DEGNZ is Auckland-based with an office in Grey Lynn.

 

Contact Details:

 

Directors & Editors Guild of NZ

Level 2, 66 Surrey Crescent

Grey Lynn

P.O. Box 47-294, Ponsonby

Auckland

+64-9-360-2102

admin@deganz.co.nz

www.deganz.co.nz

www.facebook.com/degnz

www.linkedin.com/in/degnz

@degnz_online

 

DEGNZ and Rialto will be hosting a special Film Talk for Pork Pie on the day of its release. Join us for the film, followed by a Q&A with producer Tom Hern as he chats to Leanne Pooley.  Book your tickets here.

 

When: Thursday 2 February, 6pm.

Where: Rialto Cinemas Newmarket, Auckland.