Beloved local series Kid Sister is back with its second season, directed by 2016 Incubator alum Aidee Walker, with editing by board member Margot Francis and assistant editing by fellow member Shailesh Prajapati.

The semi-autobiographical comedy series from Simone Nathan follows 30-year-old Lulu as she attempts to find her own path while balancing her love for her Jewish family and culture. This season, Lulu continues to search for her purpose while grappling with life post-partum and having given her baby to her brother and sister-in-law. Meanwhile, her boyfriend, Ollie, prepares to convert to Judaism.

Audiences praised the first season for its personality-driven narrative, following the loveable trainwreck Lulu as she chaotically stumbles through life. This season continues this storytelling style and brings back fan favourites in the ensemble, such as Amanda Billing as Lulu’s iconic mother, while adding some new faces to the mix.

Kid Sister is available to watch on TVNZ+ now!

Whānau Mārama New Zealand International Film Festival is back for 2024 and has announced the films selected for this year’s festival. Two features and 19 shorts from Aotearoa make up the Māhutonga strand of the programme, and amongst those, 11 feature work by DEGANZ members.

Check them out below!

Feature Films

Marimari

Paul Wolffram’s urgent documentary takes us into the remote highlands of Papua New Guinea and one Indigenous woman’s fight against the insidious influence of sanguma – sorcery violence.

Editor: Annie Collins

The Haka Party Incident

In 1979, a group of young Māori and Pasifika activists sought to stop Pākehā students at the University of Auckland performing a parody of haka each capping week. Unfortunately, the consequences for those activists were severe – many were convicted of crimes. Director Katie Wolfe uncovers this largely forgotten event in our history with interviews from both in this resonant and thought-provoking documentary.

Director: Katie Wolfe

The House Within

Filmmaker Joshua Prendeville’s sterling documentary holds a delicate lens to the fascinating life and work of one of Aotearoa’s literary treasures, Dame Fiona Kidman.

Co-Editor: Cushla Dillon

Aotearoa Film Focus Weekend

Naughty Little Peeptoe

Garth Maxwell offers a deeply personal film, co-directed by the late Peter Wells, in Naughty Little Peeptoe. An ode to a friend, fashionista and foot-fetishist Doug George, Maxwell along with collaborator Debra Daley recorded the caustic, chaotic narration from George, retelling the story of how high heels saved his life. The film will be preceded by a screening of Maxwell’s first ever film Come With Us, a short collaboration with Simon Marler. A response from queer erotic fiction writer, Samuel Te Kani, will follow.

Co-Director: Garth Maxwell

New Zealand’s Best

New Zealand’s Best is a compilation of the year’s top short films from Aotearoa New Zealand. Each year local filmmakers are invited to submit their films to compete in the strand, with a Guest Selector choosing the finalists from a shortlist curated by the NZIFF team. A total of 95 submissions were received for this year’s competition, with just 5 selected for the final by 2024 Guest Selector, Gerard Johnstone.

I See You

A young mother struggles with her toddler’s delayed development until a chance encounter with a charismatic young man shifts her feelings.

Director: Briar March

Editor: Adam-Luka Turjak

First Horse

In pre-colonial Aotearoa, a young Māori girl witnesses the best and worst of a rapidly changing world when she encounters a dying man and his horse.

Editor: Cushla Dillon

Lea Tupu’anga/Mother Tongue

A young speech therapist who has lied about her language skills must find a new way to communicate when she is assigned to an elderly Tongan patient with aphasia who can no longer speak English.

Director: Vea Mafile’o

Ngā Whanaunga Māori Pasifika Shorts

This collection of seven Māori and Pasifika short films has been selected by co-curators Leo Koziol (Ngāti Kahungunu, Ngāti Rakaipaaka), Director of the Wairoa Film Festival, and Craig Fasi (Niue), Director of Pollywood Film Festival.

Chatterbox

Today is the first day of Tui’s dream life. She snuggles in bed with her well-meaning paakeha (white) boyfriend, Edward. Everything’s perfect until her vagina, Teke, calls him a loser.

Editor: Amarbir Singh

Short Connections

Five new Aotearoa shorts examine the ways we connect with each other. From strangers uniting to stand up for what is right to fleeting moments of understanding between loved ones, these films deftly capture the bonds and binds between us.

Payback

When a welfare department’s insidious prejudice can no longer be tolerated, a group of unlikely heroes band together against a narrow-minded caseworker. Made in collaboration with Toi Whakaari, Mia Blake cleverly reflects the state of the nation in this punchy black comedy. 

Director: Mia Blake

Editor: Ben Chesters

Earthlings

A lonely teenager shares a moment of intimacy with a mysterious stranger in this surprising and sensitive film. Jamie Lawrence (Darryl Exists, NZIFF 2011) evokes a surreal world that tenderly explores identity, belonging and the desire for connection.

Director: Jamie Lawrence

The Sea Inside Her

Award-winning filmmaker and choreographer Alyx Duncan (The Tide Keeper, NZIFF 2015) builds on her unique movement-led films, depicting an anxious grandmother desperate to protect her grandchild from the dangers of the world. Using performance, puppetry and visual effects, Alyx Duncan paints a fantastical picture of fear and frustration for these fragile times.

Director: Alyx Duncan

Editor: Adam-Luka Turjak

 

The 2024 Doc Edge Festival is officially underway, with films by DEGANZ members Phillida Perry and Annie Goldson in the lineup.

The Doc Edge is an international Oscar-qualifying documentary festival held annually in Aotearoa. This year marks the festival’s 19th edition, with 66 films and 28 digital immersive projects on display. The festival will run from 19 June – 14 July in cinemas across Christchurch, Auckland, and Wellington. From 15-31 July, you can watch the films nationwide online.

Breaking The Mould

A visceral glimpse into the life and work of acclaimed New Zealand sculptor, Jaime Jenkins, whose unconventional upbringing combines with the elements to inform her ceramic explorations. The short will screen before the feature film Spontaneous Combustion: Songs for Barry Brickell.

Director: Phillida Perry

Refuge: A Duty to Care

From Doc Edge Superhero (2023), director Annie Goldson’s film centres on life and work at a secret pet shelter, allowing victims of family violence to seek safety while knowing their animals are being cared for. The film will play as part of the Short 5 collection.

Director: Annie Goldson

 

DEGANZ members Ramon Te Wake and Richard Curtis have been selected for Ngā Aho Whakaari’s 2024 round of Aho Shorts. This year, five films were selected for the short film development programme aimed at empowering tangata whenua and te reo me ngā tikanga Māori within the film and screen industry.

Ramon is the writer/director of Wait Wait, Now and is joined by Nicola Smith and Grayson Goffe on the team. Richard is the writer/director of Rapido, with Lea McLean and Tihini Grant on board.

The films underwent a selection process overseen by a panel of Aho Shorts alumni and esteemed industry professionals. The panel noted themes of resilience, identity, and the ever-evolving Māori worldview in the submissions.

Through Aho Shorts, the selected teams will participate in development sessions to get their projects production-ready. Additionally, the films will premiere at the Rotorua Indigenous Film Festival in November 2024. Ngā Aho Whaakari has also partnered with Te Reo Irirangi o Aotearoa (RNZ) and Whakaata Māori as broadcast platforms for the finished films.

Congratulations Ramon and Richard!

After screening at the Sydney Film Festival, First Horse directed by Awanui Simich-Pene and edited by DEGANZ member Cushla Dillon, won the inaugural First Nations Award. This accolade is the largest cash prize in Indigenous filmmaking, rewarding $35,000 to the winner.

The film, set in 1826 with Aotearoa on the cusp of colonisation, follows a young Māori girl who encounters a dying man and his horse, exposing her to the best and worst of her rapidly changing world.

The jury commented on the film saying,

In awarding the winning work, the jury recognises its originality, elegance, and cinematic achievement in story and form. In a few short minutes, the talented creative team has crafted a deeply impactful film with a resonant emotional punch.

If you are keen to see the award-winning film, it will also screen at NZIFF this year as part of the NZ’s Best programme.

Congratulations Awanui, Cushla, and the rest of the First Horse team on the win!