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Every once in awhile we get contacted at the guild by producers or other individuals wanting recommendations for directors, editors or assistant editors.

And I can tell you, we do get contacted about Hollywood projects as well.

To be fair to all of our members, we are unable to make recommendations to these inquirers.

Rather, we refer them to our membership directory, where we tell them they can search for director, editor, assistant editor, and by genre.

Of course, if a member hasn’t filled out their profile in our directory, they miss getting considered for the opportunities that come along.

The next disadvantaged lot are those who don’t keep their profiles up to date, don’t include some detail about themselves, just put an external link to an outside website or streaming site, or even worse, a link that goes to a social media account that is private and requires a request to get access.

Yes, it’s only a click away, but there’s an opportunity to engage with a bio/filmography or statement and to talk directly to the visitor right there and then on the DEGANZ site, without making them do one more click before they learn something.

The old advertising maxims of The Hook, The Value Proposition, Proof and Credibility, and Call to Action are worth considering. Done properly, the directory visitor will really want to go where you want them to, to learn more about you and your work.

And don’t forget, people don’t necessarily contact us first. They can just go directly to our membership directory.

In the end, you are asking the interested party to consider you if there is even an inkling that you might be right for the role.

In our time-poor world, it’s easy for those scrolling through to blow someone off if they don’t find anything worthwhile immediately.

And that brings me to the headshot.

There’s debate about whether or not to include a headshot, with pros and cons. But one thing is de rigueur if you are going to include one: have it look as professional as possible. This doesn’t mean you should have a passport-style mugshot. There are ways to inject your personality into a good photo, particularly if you have someone who knows how to use a camera to do your shot for you.

Of course, if you are well known in New Zealand for what you do, then maybe it’s not so important that you have a good profile on our site.

But what if Hollywood, Europe or the UK come calling? Just saying…

 

Tui Ruwhiu
Executive Director

Last updated on 18 June 2026

Congratulations to DEGANZ members Jo Luping and Lynda Chanwai-Eearle on winning the 2026 imagineNATIVE Animated Short Award with I Duok Om I Bohuntung – The Owl and The Rainbow!

Written by Lynda and directed by Jo, the film tells the story of a mother who transforms herself to bring hope and colour back into the life of her daughter as she navigates depression.

Jo attended the festival in Toronto to accept the award (pictured above, right, alongside Ariāna Osborne, who won Outstanding Performance in a Feature for Mārama).

In announcing the award, jury member Stephan Sloane, Head of Animation at Blue Ant Media, said:

The jury awards this film for its deep and tender portrayal of a Mother’s love in the face of depression. Through rich, textured animation and emotionally resonant imagery, the film captures the gradual dimming of a child’s inner world, while illuminating the care and quiet strength and transformation required to guide her back to the path towards hope. It transforms a deeply personal story into something profoundly universal.

This is a significant achievement for the filmmaking team. imagineNATIVE is the world’s largest presenter of Indigenous screen content and is internationally recognised for its excellence, innovation, and leadership in Indigenous media arts.

 

Last updated on 18 June 2026

DEGANZ member Shamin Yazdani‘s docu-short Frozen – My Eggs and Me is opening the Show Me Shorts Iranian Short Film Nights across the motu.

Made as part of the Day One Shorts initiative, the film follows Shamin on the brink of a mid-thirties birthday. Single and feeling uncertain about the future, she embarks on a deeply personal journey to confront a question she’s long been avoiding: should she freeze her eggs?

What begins as a question of motherhood soon reveals itself to be intertwined with something much bigger: her identity as the daughter of Iranian migrants. Now, as she explores this significant life decision, she unpacks the echoes of her parents’ sacrifices and the invisible threads of history that shape how she sees her future.

Shamin shared with DEGANZ,

Frozen – My Eggs and Me has become more than a documentary about fertility and reproductive rights; it’s a reflection on how the ghosts of past struggles shape the decisions we make today. It’s a journey of navigating the tension between personal autonomy and inherited pressures, and the subtle ways that trauma—sometimes unnoticed—lives within us.

While best known for its annual short film festival, Show Me Shorts celebrates global cinema year-round through curated screenings of international films.

Joining Frozen – My Eggs and Me for this screening are five other shorts from top Iranian filmmakers, bringing together an intimate, surprising, and deeply human collection of stories.

The Iranian Short Film Nights will be held in Tāmaki Makaurau Auckland on 21 July and in Te Whanganui-a-Tara Wellington and Ōtautahi Christchurch on 22 July.

 

Last updated on 18 June 2026

Principal photography is now underway in Tāmaki Makaurau on Daisy Chain, a wahine-led romantic comedy feature film funded by NZFC and set for distribution by Vendetta Films.

DEGANZ members Kerri Roggio, Holly Pretorius, and Shamin Yazdani have joined the production as the editor, assistant editor, and director’s assistant, respectively.

The film follows Daisy, a 30-something artist and commitment-phobe whose carefully constructed emotional walls begin to crumble when a stranger blows into her life at a friend’s wedding. Sharp, funny and emotionally raw, the film is a study of modern love at its messiest, and the cost of finally allowing yourself to be seen.

Director Aidee Walker says,

Daisy Chain is bold, funny and vulnerable. It’s about imperfect people pushing against a societal current. While things have thankfully moved on from our grandparents’ generation – and even our parents’ generation – the default expectation remains: get married, buy a house and have children. This film explores what happens when life doesn’t follow that script.

The film is being shot using a deliberate dual-format visual approach, combining anamorphic 2.39:1 and spherical 1.5:1 cinematography to shift between the expansive cinematic interiority of its lead character and the closer, more chaotic geometry of her everyday life.

We wish the cast and crew all the best for the shoot and look forward to seeing Daisy Chain on the big screen!

Last updated on 18 June 2026

A selection of films from Show Me Shorts was screened at the Beijing Film Academy, China’s leading film school, in May. It included work by DEGANZ members Isla Macleod, Julie Zhu, Brendon Chan, and Kerri Roggio.

The screening was one of three events organised by the New Zealand Embassy in China. The programme introduced students to contemporary storytelling from Aotearoa New Zealand, showcasing a diverse range of voices and perspectives from across the local screen industry.

Among the films presented were the following shorts created by DEGANZ members:

Cold Feet

Writer/Director: Isla Macleod

A six-minute continuous take following a bride-to-be who is having doubts just before she walks down the aisle.

Lǎo Lao Lǎo Le

Writer/Director: Julie Zhu

Editor: Brendon Chan

When a young boy is left home alone with his increasingly unwell grandmother, he is forced to come to terms with her deterioration.

Oranges and Lemons

Editor: Kerri Roggio

In 1970s New Zealand, a neglected girl finds an unusual friend walking through the bush on the way to school.

 

Last updated on 18 June 2026